Sweet November - Dolce novembre (2001)
San Francisco, un pubblicitario in carriera, Nelson Moss, tutto lavoro, cellulare e computer conosce e si innamora di una donna che è il suo esatto contrario: un'originale, misteriosa e anticonformista hippie, Sara. Come in tutte le storie d'amore che si rispettino il loro primo incontro, del tutto casuale, è più uno scontro e non fa presagire niente di buono... E invece... nonostante tutti i dubbi del nostro Nelson l'amore vincerà ancora una volta e grazie a Sara riuscirà finalmente a capire quali sono le semplici cose e i valori che rendono la vita degna di essere vissuta. Fin qui niente di male, peccato però che ci si trovi di fronte a un film già visto mille volte e senza quel quid in più che lo renda allo stesso tempo diverso. Lei infatti è malata di cancro e sta per morire e lui, il cinico duro in carriera, è disposto a rinunciare a tutto pur di stare con lei.
Direttore:
Pat O'Connor
Scrittore:
Kurt Voelker
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Keanu Reeves as Nelson Moss |
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Charlize Theron as Sara Deever |
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Jason Isaacs as Chaz Watley |
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Greg Germann as Vince Holland |
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Lauren Graham as Angelica |
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Michael Rosenbaum as Brandon / Brandy |
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Frank Langella as Edgar Price |
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Robert Joy as Raeford Dunne |
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Liam Aiken as Abner |
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Jason Kravits as Manny |
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June Carryl as Beatrice |
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Kelvin Han Yee as Burly Man |
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David Fine as Homeless Person |
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Chuck Isen as Bald Man |
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Diane Amos as Rachel, Coffee Shop Waitress |
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Ray Baker as Buddy Leach |
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Tom Bullock as Al |
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Adele Proom as Osiris |
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L. Peter Callender as Don Watson, DMV Proctor |
| Writing | Herman Raucher | Original Film Writer |
| Directing | Pat O'Connor | Director |
| Writing | Kurt Voelker | Screenplay |
| Sound | Christopher Young | Original Music Composer |
| Camera | Edward Lachman | Director of Photography |
| Editing | Anne V. Coates | Editor |
| Art | Naomi Shohan | Production Design |
| Art | Kevin Constant | Art Direction |
| Art | Bob Kensinger | Set Decoration |
| Costume & Make-Up | Shay Cunliffe | Costume Design |
| Production | Elliott Kastner | Producer |
| Production | Steven Reuther | Producer |
| Production | Deborah Stoff | Producer |
| Production | Erwin Stoff | Producer |
| Production | Wendy Wanderman | Executive Producer |
| Production | Marty P. Ewing | Co-Producer |
| Production | Risa Bramon Garcia | Casting |
| Production | Randi Hiller | Casting |
| Production | Marty P. Ewing | Unit Production Manager |
| Directing | Jonathan Watson | First Assistant Director |
| Directing | John M. Morse | Second Assistant Director |
| Crew | Webster Whinery | Stunt Coordinator |
| Production | Jodi Ehrlich | Associate Producer |
| Art | Michael E. Goldman | Assistant Art Director |
| Editing | Robb Sullivan | First Assistant Editor |
| Camera | Mitch Dubin | Camera Operator |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Camera | Paul Sanchez | First Assistant "A" Camera |
| Sound | Nelson Stoll | Sound Mixer |
| Sound | Fred Runner | Boom Operator |
| Production | Noelle Chapin | Production Coordinator |
| Production | Donald H. Walker | Production Accountant |
| Production | Ellen Lent | Location Manager |
| Production | Gail Stempler | Location Manager |
| Costume & Make-Up | Daniela Moore | Wardrobe Supervisor |
| Costume & Make-Up | David Atherton | Key Makeup Artist |
| Costume & Make-Up | Peter Robb-King | Makeup Artist |
| Costume & Make-Up | Deborah K. Larsen | Makeup Artist |
| Costume & Make-Up | Peggy Forcellini | Key Hair Stylist |
| Costume & Make-Up | Nina Paskowitz | Hairstylist |
| Lighting | John W. DeBlau | Gaffer |
| Lighting | Terry Sullivan | Best Boy Electric |
| Lighting | Robert E. 'Bobby' Powell | Rigging Gaffer |
| Camera | Dave Childers | Key Grip |
| Camera | Orlando Orona | Dolly Grip |
| Art | Rodney Armanino | Construction Coordinator |
| Art | Rich Clot | Construction Foreman |
| Crew | Rod M. Janusch | Special Effects Coordinator |
| Sound | Bruce Stambler | Supervising Sound Editor |
| Sound | Brian Best | Sound Effects Editor |
| Sound | Steven F. Nelson | Sound Effects Editor |
| Sound | Tim Walston | Sound Designer |
| Sound | Becky Sullivan | Supervising ADR Editor |
| Sound | Donald L. Warner Jr. | Dialogue Editor |
| Sound | Mildred Iatrou | Dialogue Editor |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Tom O'Connell | ADR Mixer |
| Sound | Michael Dressel | Foley Supervisor |
| Sound | Mark Pappas | Foley Editor |
| Sound | Eric Thompson | Foley Mixer |
| Sound | Sean Rowe | Foley Artist |
| Sound | Laura Macias | Foley Artist |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | John Michael Fanaris | Sound Editor |
| Sound | Paul Aulicino | First Assistant Sound Editor |
| Sound | Rick Hart | Sound Re-Recording Mixer |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Sound | Daniel J. Leahy | Sound Re-Recording Mixer |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Editing | Mo Henry | Negative Cutter |
| Editing | Dana Ross | Color Timer |
| Writing | Paul Yurick | Story |
| Costume & Make-Up | Wayne Herndon | Hairstylist |
| Directing | Leslie Park | Script Supervisor |
| Sound | G. Marq Roswell | Music Supervisor |
| Sound | John Finklea | Music Editor |
| Sound | Tanya Noel Hill | Music Editor |
| Sound | Curtis Roush | Music Editor |
| Crew | Robin Bonaccorsi | Stunts |
