Una lucertola con la pelle di donna (1971)
Una bella donna, moglie di un avvocato, confida al suo psichiatra di aver sognato che ammazzavano una sua vicina di casa. Qualche giorno dopo la vicina viene ammazzata davvero.
Direttore:
Lucio Fulci
Scrittori:
Roberto Gianviti, José Luis Martínez Mollá, André Tranché, Lucio Fulci, Ottavio Jemma.
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Florinda Bolkan as Carol Hammond |
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Stanley Baker as Inspector Corvin |
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Jean Sorel as Frank Hammond |
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Silvia Monti as Deborah |
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Alberto de Mendoza as Sergeant Brandon |
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Penny Brown as Jenny |
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Mike Kennedy as Hubert |
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Ely Galleani as Joan Hammond |
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George Rigaud as Dr. Kerr |
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Ezio Marano as Lowell - Scientific Squad |
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Franco Balducci as McKenna |
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Luigi Antonio Guerra as Policeman |
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Erzsi Paál as Mrs. Gordon |
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Gaetano Imbró as Policeman |
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Leo Genn as Edmond Brighton |
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Anita Strindberg as Julia Durer (uncredited) |
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Tony Adams as Policeman (uncredited) |
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Jean Degrave as St. Paul's Clinic Director (uncredited) |
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Basil Dignam as Commissioner McCloud (uncredited) |
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Ursel Eberz as Policewoman Beth (uncredited) |
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Piero Nistri as Mrs. Gordon's Chauffeur (uncredited) |
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Fred Wood as Train passenger |
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John Clifford as Train Passenger (uncredited) |
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Lew Hooper as Policeman (uncredited) |
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George Spence as Train Passenger (uncredited) |
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Rita Tobin-Weske as Train Passenger (uncredited) |
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Jack Armstrong as |
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Fred Wood as |
| Writing | Lucio Fulci | Story |
| Writing | Roberto Gianviti | Story |
| Writing | Roberto Gianviti | Screenplay |
| Production | Renato Jaboni | Executive Producer |
| Directing | Lucio Fulci | Director |
| Writing | José Luis Martínez Mollá | Screenplay |
| Production | Edmondo Amati | Producer |
| Writing | André Tranché | Screenplay |
| Writing | Lucio Fulci | Screenplay |
| Sound | Ennio Morricone | Original Music Composer |
| Camera | Luigi Kuveiller | Director of Photography |
| Crew | Carlo Rambaldi | Special Effects |
| Art | Roberto Granieri | Set Decoration |
| Art | Nedo Azzini | Set Decoration |
| Editing | Giorgio Serrallonga | Editor |
| Editing | Vincenzo Tomassi | Editor |
| Costume & Make-Up | Maurizio Chiari | Costume Design |
| Art | Maurizio Chiari | Art Direction |
| Art | Nedo Azzini | Production Design |
| Art | Román Calatayud | Art Direction |
| Costume & Make-Up | Rosa Luciani | Hairstylist |
| Camera | Giovanni Bonivento | Second Assistant Camera |
| Sound | Bruno Nicolai | Conductor |
| Production | Roberto Carpentieri | Production Secretary |
| Crew | Andrew Ian Henry Russell | Thanks |
| Production | Robert Dorfmann | Co-Producer |
| Directing | Giorgio Gentili | Assistant Director |
| Costume & Make-Up | Giorgio Desideri | Costume Assistant |
| Crew | Eugenio Ascani | Special Effects |
| Camera | Saturnino Pita | Camera Operator |
| Editing | Lea Piras | Assistant Editor |
| Crew | Carlo De Marchis | Special Effects Assistant |
| Camera | Spartaco Pizzi | Key Grip |
| Writing | Ottavio Jemma | Screenplay |
| Production | José Frade | Co-Producer |
| Sound | Massimo Iabone | Sound |
| Editing | Vincenzo Tomassi | Supervising Editor |
| Directing | Roberto Giandalia | Continuity |
| Production | Luis Méndez | Production Director |
| Production | Enrique Bellot | Production Secretary |
| Art | Claudio De Santis | Assistant Set Designer |
| Editing | Rita Antonelli | Assistant Editor |
| Lighting | Enrico Bellacci | Electrician |
| Camera | Ubaldo Terzano | Camera Operator |
| Crew | The Duchess of Bedford | Thanks |
| Art | Maurizio Chiari | Set Designer |
| Sound | Mario Morigi | Sound Mixer |
| Camera | Antonio Annunziata | First Assistant Camera |
| Costume & Make-Up | Franco Di Girolamo | Key Makeup Artist |
| Costume & Make-Up | Gloria Fava | Assistant Makeup Artist |
| Camera | Santiago Gómez | Third Assistant Camera |
