Dog Day Afternoon (1975)
Brooklyn, New York, 22 augustus 1972. Net voor de middagsluiting overvallen Sonny en Sal een bank. Langer dan tien minuten mocht de overval niet duren, maar er zit niet genoeg geld in de kluis en de politie staat sneller voor de deur dan voorzien zodat de gangsters met hun gijzelaars ingesloten zitten.
Regiseur:
Sidney Lumet
Schrijver:
Frank Pierson
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Al Pacino as Sonny |
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John Cazale as Sal |
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Charles Durning as Moretti |
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Chris Sarandon as Leon |
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James Broderick as Sheldon |
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Penelope Allen as Sylvia |
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Sully Boyar as Mulvaney |
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Beulah Garrick as Margaret |
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Carol Kane as Jenny |
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Sandra Kazan as Deborah |
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Marcia Jean Kurtz as Miriam |
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Amy Levitt as Maria |
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John Marriott as Howard |
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Estelle Omens as Edna |
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Gary Springer as Stevie |
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Carmine Foresta as Carmine |
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Lance Henriksen as Murphy |
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Floyd Levine as Phone Cop |
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Dick Anthony Williams as Limo Driver |
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Dominic Chianese as Father |
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Marcia Haufrecht as Neighbor |
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Judith Malina as Mother |
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Susan Peretz as Angie |
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William Bogert as TV Anchorman |
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Ron Cummins as TV Reporter |
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Jay Gerber as Sam |
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Philip Charles MacKenzie as Doctor |
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Chu Chu Malave as Maria's Boyfriend |
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Lionel Pina as Pizza Boy |
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Robert Costanzo as New York Policeman (uncredited) |
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Ron Gilbert as Detective (uncredited) |
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Kenneth McMillan as Commissioner (uncredited) |
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Ed Metzger as Sgt. Murray (uncredited) |
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Lynette Sheldon as Sadie (uncredited) |
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Alan Berger as Lout (uncredited) |
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James Bulleit as Sgt. Gillis (uncredited) |
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Todd Everett as Cop (uncredited) |
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Raymond Serra as New York Plainclothes Cop (uncredited) |
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Tom Towles as Cop (uncredited) |
| Writing | Frank Pierson | Screenplay |
| Production | Martin Elfand | Producer |
| Art | Charles Bailey | Production Design |
| Art | Douglas Higgins | Art Direction |
| Production | Don Phillips | Casting |
| Production | Michael Chinich | Casting |
| Editing | Dede Allen | Editor |
| Costume & Make-Up | Anna Hill Johnstone | Costume Design |
| Camera | Victor J. Kemper | Director of Photography |
| Art | Robert Drumheller | Set Decoration |
| Production | Martin Bregman | Producer |
| Crew | A.J. Bakunas | Stunts |
| Production | Lois Kramer Hartwick | Production Coordinator |
| Production | Martin Danzig | Location Manager |
| Art | Joseph M. Caracciolo | Property Master |
| Sound | Jack Fitzstephens | Sound Editor |
| Directing | Burtt Harris | Assistant Director |
| Directing | Alan Hopkins | Assistant Director |
| Directing | B.J. Bjorkman | Script Supervisor |
| Editing | Angelo Corrao | Assistant Editor |
| Camera | Fred Schuler | Camera Operator |
| Crew | Carlos Quiles | Carpenter |
| Writing | Leslie Waller | Book |
| Costume & Make-Up | Philip Leto | Hairstylist |
| Sound | James Sabat | Sound Mixer |
| Sound | Dick Vorisek | Recording Supervision |
| Costume & Make-Up | Peggy Farrell | Wardrobe Supervisor |
| Sound | Stephen A. Rotter | Sound Editor |
| Writing | P.F. Kluge | Book |
| Sound | Sanford Rackow | Sound Editor |
| Costume & Make-Up | Clifford Capone | Wardrobe Supervisor |
| Sound | Richard P. Cirincione | Sound Editor |
| Costume & Make-Up | Reginald Tackley | Makeup Artist |
| Writing | Thomas Moore | Book |
| Costume & Make-Up | Max Henriquez | Assistant Makeup Artist |
| Production | Robert Greenhut | Associate Producer |
| Directing | Sidney Lumet | Director |
