Год, опасный для жизни (1982)
В этом фильме Гибсон играет Гая Хэмилтона, австралийского репортера на задании в политически нестабильной Индонезии, где вместе с фотографом он изобличает коррупцию в правительстве. Но связь Хэмилтона с красивой атташе британского посольства Джилл Брайант сильно осложняет ему жизнь. Пока их бурный роман становится все более и более страстным, все вокруг них катится к гражданской войне. Джилл советует уехать, но репортер жаждет обнародовать правду…
Директор:
Питер Уир
Писатели:
Питер Уир, C.J. Koch, David Williamson.
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Мел Гибсон as Guy Hamilton |
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Сигурни Уивер as Jill Bryant |
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Линда Хант as Billy Kwan |
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Майкл Мерфи as Pete Curtis |
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Bill Kerr as Colonel Henderson |
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Noel Ferrier as Wally O'Sullivan |
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Bembol Roco as Kumar |
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Paul Sonkkila as Kevin Condon |
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Domingo Landicho as Hartono |
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Kuh Ledesma as Tiger Lily |
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Hermino De Guzman as Immigration Officer |
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Ali Nur as Ali |
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Dominador Robridillo as Betjak Man |
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Joel Agona as Palace Guard |
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Mike Emperio as Sukarno |
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Bernardo Nacilla as Dwarf |
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Coco Marantha as Pool Waiter |
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Norma Uatuhan as Ibu |
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Lito Tolentino as Udin |
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Cecily Polson as Moira |
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David Oyang as Hadji |
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Mark Egerton as Embassy Aide |
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Joonee Gamboa as Naval Officer |
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Pudji Waseso as Officer in Cafe |
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Joel Lamangan as Security Man No. 1 |
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Mario Layco as Security Man No. 2 |
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Jabo Djohansjan as Doctor |
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Agoes Widjaya Soedjarwo as Roadblock Soldier |
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Chris Quivak as Airport Official |
| Writing | Питер Уир | Screenplay |
| Production | Jim McElroy | Producer |
| Writing | C.J. Koch | Screenplay |
| Directing | Питер Уир | Director |
| Camera | Russell Boyd | Director of Photography |
| Writing | C.J. Koch | Novel |
| Sound | Maurice Jarre | Original Music Composer |
| Editing | William M. Anderson | Editor |
| Camera | Nixon Binney | Camera Operator |
| Art | Herbert Pinter | Art Direction |
| Directing | Chris Webb | Second Assistant Director |
| Camera | John Seale | Second Unit Director of Photography |
| Production | Carolynne Cunningham | Production Coordinator |
| Production | Elaine Crowther | Production Accountant |
| Production | Mark Egerton | Production Supervisor |
| Costume & Make-Up | Terry Ryan | Costume Design |
| Art | Anni Browning | Assistant Art Director |
| Directing | Moya Iceton | Continuity |
| Lighting | Brian Bansgrove | Gaffer |
| Lighting | Paul Gantner | Best Boy Electric |
| Sound | Gary Wilkins | Sound Recordist |
| Directing | Michael Bourchier | Third Assistant Director |
| Production | Alison Barrett | Casting |
| Costume & Make-Up | Judy Lovell | Makeup Artist |
| Costume & Make-Up | Anthony Jones | Costume Supervisor |
| Costume & Make-Up | Cheryl Williams | Hairstylist |
| Sound | Mark J. Wasiutak | Boom Operator |
| Directing | Mark Egerton | First Assistant Director |
| Camera | Ray Brown | Key Grip |
| Camera | Jim Townley | Still Photographer |
| Production | Freddie Fields | Executive Producer |
| Crew | Peter West | Stunt Driver |
| Directing | Ulysses Formanez | Assistant Director |
| Sound | Andrew Steuart | Sound Editor |
| Sound | Peter Fenton | Dialogue Editor |
| Directing | Ken Richardson | Assistant Director |
| Directing | Wayne Barry | First Assistant Director |
| Sound | Spencer Lee | Sound Engineer |
| Sound | Phil Heywood | Sound Mixer |
| Crew | Danny Dominguez | Special Effects |
| Directing | Jose Angeles | Assistant Director |
| Visual Effects | Roger Cowland | Visual Effects |
| Art | Fran Burke | Title Designer |
| Directing | Robert Woolcott | Assistant Director |
| Sound | Ron Purvis | Sound Recordist |
| Writing | David Williamson | Screenplay |
