Подводная лодка (1981)
Осень 1941 года. Немецкая подводная лодка отправляется в Атлантический океан, место противостояния германского и английского флотов. Жизнь по строгому распорядку, учебные тревоги, воспоминания о семьях и любимых девушках, солёные мужские шуточки... Скоро всё это закончится. Потому что впереди — ад и никакой надежды на спасение...
Директор:
Вольфганг Петерсен
Писатели:
Дин Райснер, Вольфганг Петерсен.
| Writing | Дин Райснер | Screenplay |
| Sound | Klaus Doldinger | Original Music Composer |
| Production | Günter Rohrbach | Producer |
| Production | Willy Schlenter | Casting |
| Writing | Lothar-Günther Buchheim | Novel |
| Production | Ortwin Freyermuth | Producer |
| Production | Джон У. Хайд | Executive Producer |
| Writing | Вольфганг Петерсен | Screenplay |
| Production | Edward R. Pressman | Executive Producer |
| Camera | Йост Вакано | Director of Photography |
| Editing | Hannes Nikel | Editor |
| Production | Mark Damon Johnson | Executive Producer |
| Directing | Вольфганг Петерсен | Director |
| Production | Michael Bittins | Producer |
| Art | Götz Weidner | Art Direction |
| Costume & Make-Up | Monika Bauert | Costume Design |
| Sound | Hans-Walter Kramski | Foley |
| Art | Philipp von Seil | Assistant Art Director |
| Sound | Alan Willis | Music Editor |
| Directing | Isabel Prochnow | Script Supervisor |
| Costume & Make-Up | Rüdiger von Sperl | Makeup Artist |
| Art | Walter E. Richarz | Assistant Art Director |
| Sound | Peter Horrocks | Sound Effects Editor |
| Costume & Make-Up | Alfred Rasche | Makeup Artist |
| Sound | Mel Kutbay | Foley |
| Costume & Make-Up | Ago von Sperl | Makeup Artist |
| Sound | Karola Storr | Sound Effects Editor |
| Crew | Karsten Ullrich | Sound Recordist |
| Crew | Werner Böhm | Sound Recordist |
| Camera | Karl-Heinz Vogelmann | Still Photographer |
| Crew | Friedrich Thaler | Scenic Artist |
| Crew | Albrecht von Bethmann | Sound Recordist |
| Crew | Heinz Schürer | Sound Recordist |
| Production | Michael Bittins | Production Manager |
| Crew | William H. Brown | Post Production Supervisor |
| Sound | Stanislav Litera | Sound Recordist |
| Camera | Mike Rutter | Assistant Camera |
| Camera | Ernst Wild | Additional Photography |
| Production | Lutz Hengst | Production Executive |
| Sound | Mike Le Mare | Sound Editor |
| Sound | Milan Bor | Sound Mixer |
| Directing | Georg Borgel | First Assistant Director |
| Sound | Trevor Pyke | Sound Mixer |
| Art | Рольф Цехетбауэр | Production Design |
| Lighting | Willi Zopf | Electrician |
| Production | Ingrid von Anka | Production Secretary |
| Art | Peter Dürst | Property Master |
| Crew | Karl-Heinz Bochnig | Special Effects |
| Lighting | Franz Schlammer | Electrician |
| Directing | Marie-Antoinette Petersen | Second Assistant Director |
| Production | Philippe Dussart | Production Manager |
| Crew | Willi Neuner | Special Effects |
| Lighting | Rudi Denk | Electrician |
| Production | Caroline Perchaud | Production Secretary |
| Art | Rüdiger Wagner | Property Master |
| Camera | Ludwig Sauermann | Key Grip |
| Crew | Max Gretmann | Special Effects |
| Crew | Franz Kirschke | Special Effects |
| Directing | Isabel Goslar | Continuity |
| Visual Effects | Karl Baumgartner | Special Effects Supervisor |
| Art | Monika Moritz | Property Master |
| Directing | Hannes Nikel | Second Unit Director |
| Lighting | Iko Dimitri | Electrician |
