Pulp Highway (1996)
Die Wüste ist ein einsamer Ort… Sowohl für diejenigen, die dort leben, als auch für diejenigen, die sie durchqueren. Sie erzählt aber auch Geschichten, wie z.B. die von dem Handlungsreisenden, dessen einzige Ware der Tod ist. Oder die Geschichte von dem jungen Mann, der auf der Suche nach einem ganz bestimmten Tod ist. Auf jeden Fall lohnt es sich, in Red’s Desert Oasis Halt zu machen. Denn dort erlebt man Geschichten, die man nicht mehr vergisst…
Der Regisseur: Michael Covert
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Luana Anders as Martha |
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Robert Fields as Harry |
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Brion James as Oris |
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Samuel J. Jones as Exterminator |
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Toni Kalem as Alice |
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Carol Kane as Helen |
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Jack Kehler as Walker |
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Anthony Lee as Omar |
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Luke Perry as Johnny |
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Scott Plank as Sonny |
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Eric Roberts as Martin |
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James Russo as Eddie |
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John Savage as Dwayne |
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Vonte Sweet as Mondo |
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Jennifer Tilly as Patty Mae |
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Joe Viterelli as Gene |
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Melora Walters as Cindy |
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Will Rothhaar as Jordan |
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Jessica Perelman as Daphne |
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Stephanie Cushna as Johnny's Girlfriend |
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Stace Williamson as Johnny's Brother |
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Charles Bailey-Gates as Bob |
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Thomas Elliott as Timmy |
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Leland Crooke as Cop #2 |
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Michael Kaliski as Cop #3 |
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Patrick Warburton as Rookie Cop |
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Michael Horse as Lead Cop |
| Sound | Jennifer Pyken | Music Supervisor |
| Sound | Michelle Kuznetsky Silverman | Music Supervisor |
| Lighting | Bill-Brady Majors | Best Boy Electrician |
| Art | Angel McConnell | Set Dresser |
| Directing | Denise Karey | Script Supervisor |
| Crew | Michael Horse | Stunt Coordinator |
| Sound | George Flores | Boom Operator |
| Art | Wes Tabayoyong | Set Dresser |
| Costume & Make-Up | Tanya Gill | Costume Designer |
| Production | Bryan Yaconelli | Unit Production Manager |
| Directing | David Strupp | First Assistant Director |
| Sound | Robin Bechtel | Music Supervisor |
| Camera | Charles H.E. Richards | Best Boy Grip |
| Costume & Make-Up | Norman Salao | Hairstylist |
| Art | Ryan Wilson | Set Dresser |
| Camera | Delon Freund | Assistant Camera |
| Production | Kirk Hassig | Line Producer |
| Camera | Chris Hawkins | Second Assistant Camera |
| Camera | Delon Freund | First Assistant "B" Camera |
| Sound | Darryl Linkow | Sound Mixer |
| Art | James Koening | Set Dresser |
| Production | Chris Larsen | Casting Assistant |
| Crew | John C. Hartigan | Special Effects Coordinator |
| Camera | Javier Perez | Key Grip |
| Camera | George Vrattos | Key Grip |
| Sound | Jack Beck | Boom Operator |
| Costume & Make-Up | Marina Tarpin | Key Makeup Artist |
| Costume & Make-Up | Linda Samodral | Hairstylist |
| Art | Denise Hudson | Art Direction |
| Camera | Missy Toy | Second Assistant Camera |
| Camera | Joaquin Sedillo | "B" Camera Operator |
| Camera | Carey Hendricks | Still Photographer |
| Directing | Phillippa Rick | Second Second Assistant Director |
| Sound | William Smith | Sound Supervisor |
| Lighting | Martin Leeper | Lighting Technician |
| Sound | Benjamin Patrick | Sound Mixer |
| Costume & Make-Up | Anne Woodard | Costume Assistant |
| Costume & Make-Up | Lydia Milars | Key Makeup Artist |
| Directing | Richard Chang | Second Assistant Director |
| Lighting | Thomas Marvel | Lighting Technician |
| Art | Mary E. Gullickson | Set Decoration |
| Production | Elizabeth Ervin | Unit Production Manager |
| Production | Lee Berger | Production Consultant |
| Camera | Collin S. Colberg | First Assistant Camera |
| Camera | Rod Dean | Still Photographer |
| Lighting | David McLaughlin | Best Boy Electrician |
| Production | Norman Siderow | Executive In Charge Of Production |
| Production | Karen Bass | Production Coordinator |
| Directing | Mary Anne Seward | Script Supervisor |
| Directing | Doug Textor | Second Unit Director |
| Costume & Make-Up | Nikoletta Skarlatos | Makeup Artist |
| Sound | Adam Jenkins | Additional Sound Re-Recording Mixer |
| Art | Cherilyn Niedhardd | Assistant Property Master |
| Crew | David Waine | Special Effects Assistant |
| Sound | David Boulton | ADR Mixer |
| Sound | Dominique Decaudain | Foley Artist |
| Sound | Susan Conner | Foley Artist |
| Sound | Denise Brady | Dialogue Editor |
| Sound | Dov Schwarz | Dialogue Editor |
| Sound | William Smith | Sound Re-Recording Mixer |
| Sound | Lorita de la Cerna | Foley Recordist |
| Sound | Jennifer Nash | Sound Recordist |
| Sound | Jeffrey R. Whitcher | Supervising Sound Effects Editor |
| Crew | George Doering | Additional Music |
| Art | Brad Morris | Property Master |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Camera | Ben Giacometti | Dolly Grip |
| Sound | Ronald Long | Sound Mixer |
| Sound | Byron Short | Sound Effects Editor |
| Sound | Alison Sanford | Sound Effects Editor |
| Sound | Joe Barnett | Sound Re-Recording Mixer |
| Sound | Brent Brooks | Foley Artist |
| Sound | Raymond E. Spiess III | Assistant Dialogue Editor |
| Sound | Elizabeth Rainey | Foley Artist |
| Sound | Yuri Reese | ADR Editor |
| Sound | Kevin Jackson | Sound Effects Editor |
| Sound | Tabby Vincent | Boom Operator |
| Costume & Make-Up | Magda Lavadenz | Costume Designer |
| Costume & Make-Up | Anthea Grutsis | Assistant Makeup Artist |
| Sound | Ray Spiess | Supervising Dialogue Editor |
| Sound | Yuri Reese | ADR Mixer |
| Sound | Tony Jenkins | Sound Recordist |
| Art | Randy Angel | Property Master |
| Art | Jeanette Harshleager | Set Dresser |
| Art | Dianne Chadwick | Set Dresser |
| Camera | Joaquin Sedillo | Second Unit Director of Photography |
| Sound | Karla Hennessey | Audio Post Coordinator |
| Sound | Renée Tondelli | ADR Supervisor |
| Production | Kirk Hassig | Producer |
| Production | Sheila Jaffe | Casting |
| Production | Doug Textor | Producer |
| Production | Rod Dean | Producer |
| Editing | Rod Dean | Editor |
| Camera | Seo Mutarevic | Director of Photography |
| Sound | John R. Graham | Original Music Composer |
| Production | Georgianne Walken | Casting |
| Production | Frank Agrama | Executive Producer |
| Directing | Michael Covert | Director |
| Art | Paul Holt | Production Design |
| Writing | Michael Covert | Writer |
| Production | Trudi Callon | Associate Producer |
