Pulp Highway (1996)
Die Wüste ist ein einsamer Ort… Sowohl für diejenigen, die dort leben, als auch für diejenigen, die sie durchqueren. Sie erzählt aber auch Geschichten, wie z.B. die von dem Handlungsreisenden, dessen einzige Ware der Tod ist. Oder die Geschichte von dem jungen Mann, der auf der Suche nach einem ganz bestimmten Tod ist. Auf jeden Fall lohnt es sich, in Red’s Desert Oasis Halt zu machen. Denn dort erlebt man Geschichten, die man nicht mehr vergisst…
Der Regisseur: Michael Covert
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Luana Anders as Martha |
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Robert Fields as Harry |
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Brion James as Oris |
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Samuel J. Jones as Exterminator |
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Toni Kalem as Alice |
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Carol Kane as Helen |
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Jack Kehler as Walker |
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Anthony Lee as Omar |
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Luke Perry as Johnny |
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Scott Plank as Sonny |
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Eric Roberts as Martin |
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James Russo as Eddie |
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John Savage as Dwayne |
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Vonte Sweet as Mondo |
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Jennifer Tilly as Patty Mae |
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Joe Viterelli as Gene |
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Melora Walters as Cindy |
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Will Rothhaar as Jordan |
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Jessica Perelman as Daphne |
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Stephanie Cushna as Johnny's Girlfriend |
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Stace Williamson as Johnny's Brother |
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Charles Bailey-Gates as Bob |
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Thomas Elliott as Timmy |
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Leland Crooke as Cop #2 |
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Michael Kaliski as Cop #3 |
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Patrick Warburton as Rookie Cop |
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Michael Horse as Lead Cop |
| Sound | Michelle Kuznetsky Silverman | Music Supervisor |
| Directing | Richard Chang | Second Assistant Director |
| Art | Denise Hudson | Art Direction |
| Camera | Missy Toy | Second Assistant Camera |
| Sound | Jennifer Pyken | Music Supervisor |
| Production | Norman Siderow | Executive In Charge Of Production |
| Camera | George Vrattos | Key Grip |
| Directing | David Strupp | First Assistant Director |
| Production | Karen Bass | Production Coordinator |
| Production | Kirk Hassig | Line Producer |
| Camera | Delon Freund | First Assistant "B" Camera |
| Camera | Chris Hawkins | Second Assistant Camera |
| Lighting | Thomas Marvel | Lighting Technician |
| Production | Elizabeth Ervin | Unit Production Manager |
| Camera | Javier Perez | Key Grip |
| Art | Mary E. Gullickson | Set Decoration |
| Camera | Collin S. Colberg | First Assistant Camera |
| Camera | Joaquin Sedillo | "B" Camera Operator |
| Camera | Carey Hendricks | Still Photographer |
| Costume & Make-Up | Anthea Grutsis | Assistant Makeup Artist |
| Production | Lee Berger | Production Consultant |
| Sound | Ronald Long | Sound Mixer |
| Sound | George Flores | Boom Operator |
| Art | Cherilyn Niedhardd | Assistant Property Master |
| Art | Wes Tabayoyong | Set Dresser |
| Crew | Michael Horse | Stunt Coordinator |
| Crew | David Waine | Special Effects Assistant |
| Camera | Rod Dean | Still Photographer |
| Lighting | David McLaughlin | Best Boy Electrician |
| Directing | Denise Karey | Script Supervisor |
| Sound | Karla Hennessey | Audio Post Coordinator |
| Sound | Joe Barnett | Sound Re-Recording Mixer |
| Costume & Make-Up | Nikoletta Skarlatos | Makeup Artist |
| Costume & Make-Up | Norman Salao | Hairstylist |
| Art | Dianne Chadwick | Set Dresser |
| Camera | Delon Freund | Assistant Camera |
| Sound | Benjamin Patrick | Sound Mixer |
| Costume & Make-Up | Lydia Milars | Key Makeup Artist |
| Art | Angel McConnell | Set Dresser |
| Crew | John C. Hartigan | Special Effects Coordinator |
| Sound | Raymond E. Spiess III | Assistant Dialogue Editor |
| Camera | Charles H.E. Richards | Best Boy Grip |
| Art | Ryan Wilson | Set Dresser |
| Crew | George Doering | Additional Music |
| Sound | Jack Beck | Boom Operator |
| Costume & Make-Up | Linda Samodral | Hairstylist |
| Art | Brad Morris | Property Master |
| Sound | Tabby Vincent | Boom Operator |
| Costume & Make-Up | Magda Lavadenz | Costume Designer |
| Costume & Make-Up | Marina Tarpin | Key Makeup Artist |
| Directing | Mary Anne Seward | Script Supervisor |
| Art | James Koening | Set Dresser |
| Production | Chris Larsen | Casting Assistant |
| Directing | Doug Textor | Second Unit Director |
| Camera | Ben Giacometti | Dolly Grip |
| Sound | Darryl Linkow | Sound Mixer |
| Sound | William Smith | Sound Supervisor |
| Sound | Alison Sanford | Sound Effects Editor |
| Sound | Brent Brooks | Foley Artist |
| Sound | Renée Tondelli | ADR Supervisor |
| Sound | Jennifer Nash | Sound Recordist |
| Lighting | Bill-Brady Majors | Best Boy Electrician |
| Costume & Make-Up | Tanya Gill | Costume Designer |
| Camera | Joaquin Sedillo | Second Unit Director of Photography |
| Sound | Ray Spiess | Supervising Dialogue Editor |
| Sound | Tony Jenkins | Sound Recordist |
| Writing | Michael Covert | Writer |
| Production | Bryan Yaconelli | Unit Production Manager |
| Sound | Robin Bechtel | Music Supervisor |
| Lighting | Martin Leeper | Lighting Technician |
| Costume & Make-Up | Anne Woodard | Costume Assistant |
| Art | Randy Angel | Property Master |
| Art | Jeanette Harshleager | Set Dresser |
| Directing | Phillippa Rick | Second Second Assistant Director |
| Sound | Dov Schwarz | Dialogue Editor |
| Sound | Byron Short | Sound Effects Editor |
| Sound | Dominique Decaudain | Foley Artist |
| Production | Doug Textor | Producer |
| Sound | Yuri Reese | ADR Editor |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Sound | David Boulton | ADR Mixer |
| Sound | Elizabeth Rainey | Foley Artist |
| Production | Trudi Callon | Associate Producer |
| Directing | Michael Covert | Director |
| Sound | Yuri Reese | ADR Mixer |
| Sound | Jeffrey R. Whitcher | Supervising Sound Effects Editor |
| Sound | Adam Jenkins | Additional Sound Re-Recording Mixer |
| Sound | William Smith | Sound Re-Recording Mixer |
| Production | Georgianne Walken | Casting |
| Production | Rod Dean | Producer |
| Production | Kirk Hassig | Producer |
| Sound | Denise Brady | Dialogue Editor |
| Sound | Lorita de la Cerna | Foley Recordist |
| Sound | Susan Conner | Foley Artist |
| Sound | John R. Graham | Original Music Composer |
| Production | Sheila Jaffe | Casting |
| Art | Paul Holt | Production Design |
| Editing | Rod Dean | Editor |
| Camera | Seo Mutarevic | Director of Photography |
| Sound | Kevin Jackson | Sound Effects Editor |
| Production | Frank Agrama | Executive Producer |
