Bis in alle Ewigkeit (2002)
Die 15 Jahre alte Winnie Foster verliebt sich in den 17jährigen Jesse Tuck, und auch er findet Gefallen an ihr. Doch Jesse und seine Familie haben ein Geheimnis: Sie haben aus einem Jungbrunnen getrunken und sind unsterblich. Winnie wird vor die Wahl gestellt, ewig zu leben und mit Jesse glücklich werden zu können, oder so zu bleiben, wie sie ist. Bei dieser Entscheidung wollen die Tucks sie dazu bringen, nicht unsterblich zu werden, denn das ewige Leben hat nicht nur Vorteile.
Der Regisseur:
Jay Russell
Die Autor:
Jeffrey Lieber, James V. Hart.
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Alexis Bledel as Winnie Foster |
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William Hurt as Angus Tuck |
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Sissy Spacek as Mae Tuck |
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Jonathan Jackson as Jesse Tuck |
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Scott Bairstow as Miles Tuck |
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Ben Kingsley as Man in the Yellow Suit |
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Amy Irving as Mother Foster |
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Victor Garber as Robert Foster |
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Kosha Engler as Miles' Wife |
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Richard Pilcher as Constable |
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Bradley Coryell as Lead Mill Boy |
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John Badila as Baker |
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Julia Hart as Sally Hannaway |
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Naomi Kline as Beatrice Ruston |
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Kathryn Kelley as Mrs. Hannaway |
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Brigid Cleary as Mrs. Ruston |
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Sean Pratt as Young Pastor |
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Robert Lewis as Night Deputy |
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Jean Schertler as Grandmother Foster |
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Dominic Angelella as Bernard Price |
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Theresa Flynn as Mrs. Price |
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Elisabeth Shue as Narrator (voice) |
| Directing | Jay Russell | Director |
| Crew | Jennifer Badger | Stunt Double |
| Crew | Jeffrey Lee Gibson | Stunt Double |
| Crew | Rick LeFevour | Stunt Double |
| Crew | Jay Spadaro | Stunt Double |
| Crew | Bob Colletti | Stunt Double |
| Crew | David Brian Martin | Stunt Double |
| Crew | G.A. Aguilar | Stunt Coordinator |
| Art | Tiffany Zappulla | Art Department Assistant |
| Costume & Make-Up | Marisa Aboitiz | Costume Supervisor |
| Costume & Make-Up | Christine Wada | Costume Supervisor |
| Costume & Make-Up | Catharine Fletcher Incaprera | Assistant Costume Designer |
| Costume & Make-Up | Lois DeArmond | Assistant Costume Designer |
| Costume & Make-Up | Linda M. Boyland | Costumer |
| Camera | Mark Van Loon | Steadicam Operator |
| Camera | Martin J. Layton | Camera Operator |
| Camera | Mark Walpole | Second Assistant Camera |
| Sound | Kirk Francis | Production Sound Mixer |
| Costume & Make-Up | Mara Majorowicz | Key Costumer |
| Costume & Make-Up | Gina W. Bateman | Assistant Makeup Artist |
| Editing | Jonathan Chibnall | First Assistant Editor |
| Directing | Deirdre Horgan | Script Supervisor |
| Costume & Make-Up | Jeannie Flynn | Key Costumer |
| Camera | Mark Van Loon | "B" Camera Operator |
| Editing | Dana Mulligan | First Assistant Editor |
| Camera | Martin J. Layton | Second Unit Director of Photography |
| Costume & Make-Up | Charmaine Henninger | Assistant Hairstylist |
| Sound | Jack M. Nietzsche Jr. | Boom Operator |
| Sound | Jon Mete | Sound Editor |
| Sound | Cameron Steenhagen | Dialogue Editor |
| Art | Lorraine Walker | Assistant Property Master |
| Production | Lori Scowley | First Assistant Accountant |
| Sound | Charles Maynes | Supervising Sound Editor |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Sound | Dana Gustafson | Foley Editor |
| Sound | Christina Tucker | ADR Mixer |
| Camera | Mark Hutchings | Grip |
| Sound | Kira Roessler | Dialogue Editor |
| Sound | Troy Porter | ADR Mixer |
| Camera | Brian Snell | Grip |
| Sound | Edward Steidele | Foley Artist |
| Crew | Mark Bero | Special Effects Coordinator |
| Production | Kathi Ash | Location Manager |
| Crew | Douglas Retzler | Special Effects Assistant |
| Production | Frank J. Ellison | Production Accountant |
| Production | Thomas 'Doc' Boguski | Production Coordinator |
| Camera | Rodney French | Key Grip |
| Sound | Lesley Langs | Music Editor |
| Lighting | Newton TerMeer | Chief Lighting Technician |
| Art | David Beach | Construction Buyer |
| Sound | Samuel Lehmer | Sound Re-Recording Mixer |
| Camera | John C. Barber | Grip |
| Art | Michael Davis | Construction Coordinator |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Sound | Jamie Hardt | Assistant Sound Editor |
| Sound | Dean Beville | ADR Editor |
| Sound | Doc Kane | ADR Mixer |
| Camera | Ron Phillips | Still Photographer |
| Editing | Mary Beth Smith | Negative Cutter |
| Crew | Thomas M. Cornelius | Craft Service |
| Visual Effects | Brian Ali Harding | Compositing Artist |
| Visual Effects | Erik Liles | 2D Supervisor |
| Editing | Jeff Smithwick | Color Timer |
| Sound | Harry B. Miller III | ADR Editor |
| Production | Carlyn Davis | Extras Casting |
| Crew | Gerald Titus | Driver |
| Production | Molly Dedham | Extras Casting |
| Visual Effects | Mat Beck | Visual Effects Supervisor |
| Visual Effects | Cindy Jones | Visual Effects Producer |
| Visual Effects | Yoshiya Yamada | 3D Modeller |
| Crew | Peter Epstein | Stunts |
| Crew | Blaise Corrigan | Stunts |
| Writing | Natalie Babbitt | Novel |
| Writing | Jeffrey Lieber | Screenplay |
| Writing | James V. Hart | Screenplay |
| Production | Jane Startz | Producer |
| Production | Mary Gail Artz | Casting Director |
| Art | Ray Kluga | Art Direction |
| Costume & Make-Up | Janice Kinigopoulos | Hair Department Head |
| Production | Deborah Forte | Executive Producer |
| Art | Catherine Davis | Set Decoration |
| Production | William Teitler | Executive Producer |
| Production | Barbara Cohen | Casting Director |
| Costume & Make-Up | Carol Ramsey | Costume Design |
| Production | Dana Robin | Unit Production Manager |
| Directing | Alison C. Rosa | Second Assistant Director |
| Production | Marc Abraham | Producer |
| Camera | James L. Carter | Director of Photography |
| Production | Max Wong | Executive Producer |
| Sound | William Ross | Original Music Composer |
| Costume & Make-Up | Thomas Nellen | Makeup Department Head |
| Production | Thomas A. Bliss | Executive Producer |
| Art | Tony Burrough | Production Design |
| Editing | Jay Cassidy | Editor |
| Production | Armyan Bernstein | Executive Producer |
| Directing | John Rusk | First Assistant Director |
