Herr im Haus bin ich (1954)
Im London des ausklingenden 19. Jahrhunderts tyrannisiert der Witwer Henry Hobson seine drei Töchter. Um die Mitgift zu sparen, verbietet er ihnen kurzerhand die Heirat; und während seine älteste, Maggie, das Schuhgeschäft in Gang hält, gibt Henry allabendlich im Pub seine Lebensweisheiten zum Besten. Aber da hat er die Rechnung ohne Maggie gemacht. Die angelt sich seinen talentierten Gesellen Mossop, eröffnet mit ihm einen eigenen Laden und macht Daddy kräftig Konkurrenz. Mit ein paar Tricks gelingt es ihr schließlich sogar, den grantigen Hobson doch noch zu ihrem Partner zu machen.
Der Regisseur:
David Lean
Die Autor:
Wynyard Browne, David Lean, Norman Spencer.
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Charles Laughton as Henry Horatio Hobson |
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John Mills as William Mossop |
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Brenda De Banzie as Maggie Hobson |
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Daphne Anderson as Alice Hobson |
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Prunella Scales as Vicky Hobson |
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Richard Wattis as Albert Prosser |
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Derek Blomfield as Freddy Beenstock |
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Helen Haye as Mrs. Hepworth |
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Joseph Tomelty as Jim Heeler |
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Julien Mitchell as Sam Minns |
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Gibb McLaughlin as Tudsbury |
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Philip Stainton as Denton |
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Dorothy Gordon as Ada Figgins |
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Madge Brindley as Mrs. Figgins |
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John Laurie as Dr. McFarlane |
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Raymond Huntley as Nathaniel Beenstock |
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Jack Howarth as Tubby Wadlow |
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Herbert C. Walton as Printer |
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Edie Martin as Old Lady Buying Shoelaces (uncredited) |
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Leonard Sharp as Tailor who rents shop to William Mossop (uncredited) |
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Robert Brooks Turner as Beanstock Worker Who Finds Hobson in Cellar (uncredited) |
| Directing | David Lean | Director |
| Costume & Make-Up | Tony Sforzini | Makeup Artist |
| Writing | Wynyard Browne | Screenplay |
| Art | Wilfred Shingleton | Art Direction |
| Production | David Lean | Producer |
| Sound | Malcolm Arnold | Original Music Composer |
| Editing | Peter Taylor | Editor |
| Costume & Make-Up | George Partleton | Makeup Artist |
| Directing | Adrian Pryce-Jones | Assistant Director |
| Writing | Harold Brighouse | Theatre Play |
| Writing | David Lean | Screenplay |
| Camera | Jack Hildyard | Director of Photography |
| Costume & Make-Up | John Armstrong | Costume Design |
| Production | John Palmer | Production Manager |
| Production | Norman Spencer | Associate Producer |
| Writing | Norman Spencer | Screenplay |
| Sound | Ken Ritchie | Boom Operator |
| Production | Margaret Townsend | Production Secretary |
| Camera | Ray Hearne | Still Photographer |
| Sound | Red Law | Sound Recordist |
| Camera | Peter Newbrook | Camera Operator |
| Sound | John Cox | Sound Supervisor |
| Directing | Maggie Unsworth | Continuity |
| Sound | Muir Mathieson | Music Director |
| Sound | Buster Ambler | Sound Recordist |
| Costume & Make-Up | Gladys Atkinson | Hairdresser |
| Costume & Make-Up | Julia Squire | Costume Supervisor |
| Art | William Hutchinson | Assistant Art Director |
| Sound | Barbara Hopkins | Sound |
| Camera | Alan Hall | Clapper Loader |
