Der Mann im Mond (1991)
Das ländliche Lousiana in den 50ern: Die 14-jährige Dani und ihre ältere Schwester Maureen teilen alles miteinander. Als aber Court Foster ins Nachbarhaus einzieht, werden die beiden zu Rivalinnen: Dani macht erste Erfahrungen mit den Gefühlen der Zuneigung, und auch Maureen glaubt, die Liebe ihres Lebens gefunden zu haben. Aber mit der Liebe kommt das Leid, und schon bald müssen die Schwestern eine harte Lektion fürs Leben lernen. Das Unglück schlägt zu, und ihre Verbundenheit ist nun das Einzige, was ihnen noch Halt gibt.
Der Regisseur: Robert Mulligan
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Reese Witherspoon as Danielle "Dani" Trant |
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Jason London as Court Foster |
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Emily Warfield as Maureen Trant |
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Sam Waterston as Matthew Trant |
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Tess Harper as Abigail Trant |
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Gail Strickland as Marie Foster |
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Bentley Mitchum as Billy Sanders |
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Ernie Lively as Will Sanders |
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Dennis Letts as Doc White |
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Earleen Bergeron as Mrs. Sanders |
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Anna Chappell as Mrs. Taylor |
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Brandi Smith as Missy Trant |
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Sandi Smith as Missy Trant |
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Derek Ball as Foster Twin |
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Spencer Ball as Foster Twin |
| Production | Mark Rydell | Producer |
| Directing | Robert Mulligan | Director |
| Crew | Paula Moody | Stunts |
| Writing | Jenny Wingfield | Writer |
| Crew | Corey Michael Eubanks | Stunts |
| Production | Shari Rhodes | Casting |
| Sound | James Newton Howard | Original Music Composer |
| Production | William M. Elvin | Unit Production Manager |
| Costume & Make-Up | Lynn Del Kail | Key Hair Stylist |
| Crew | Al Wyatt Jr. | Stunts |
| Directing | Eric Wall | Second Assistant Director |
| Art | Emily Ferry | Property Master |
| Production | Bill Borden | Associate Producer |
| Art | Gene Callahan | Production Design |
| Crew | Russell McEntyre | Transportation Coordinator |
| Sound | Joachim H. Hansch | Music Supervisor |
| Production | Shari Rhodes | Executive Producer |
| Lighting | Gene Engels | Chief Lighting Technician |
| Editing | Trudy Ship | Editor |
| Production | Jerry Grandey | Associate Producer |
| Camera | Gordon Hayman | Camera Operator |
| Sound | Peter Bentley | Sound Mixer |
| Camera | Freddie Francis | Director of Photography |
| Crew | Eurlyne Epper | Stunts |
| Crew | Jeremy London | Stunts |
| Camera | Don Cerrone | Key Grip |
| Costume & Make-Up | Christina Smith | Key Makeup Artist |
| Art | Fredda Slavin | Art Direction |
| Camera | Steven Mann | First Assistant Camera |
| Camera | Elliott Marks | Still Photographer |
| Sound | Scott Jacobs | Boom Operator |
| Directing | Jerry Grandey | First Assistant Director |
| Art | Bill Iiams | Construction Coordinator |
| Production | William S. Gilmore | Executive Producer |
| Crew | Larry Holt | Stunt Coordinator |
| Directing | Bill Borden | Second Unit Director |
| Crew | John Moio | Stunt Coordinator |
| Costume & Make-Up | Lynne Brooks | Makeup Artist |
| Camera | John Sheeren | Second Assistant Camera |
| Sound | Thomas A. Gulino | Sound Editor |
| Crew | Neil Stockstill | Special Effects Coordinator |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Elisha Birnbaum | Foley Artist |
| Directing | Sydney Gilner | Script Supervisor |
| Sound | Anthony J. Ciccolini III | Supervising Sound Editor |
| Camera | Peter Norman | Second Unit Director of Photography |
| Sound | Pam DeMetruis-Thomas | Foley Editor |
| Costume & Make-Up | Jeaneen Muckerman | Hairstylist |
| Sound | Richard Q. King | Sound Editor |
| Art | Daril Alder | Set Decoration |
