Das Bildnis des Dorian Gray (2009)
Der ebenso gut aussehende wie unerfahrene Dorian Gray steht gegen Ende des 19. Jahrhunderts in London dem Maler Basil Hallward Modell, der Dorians beeindruckende Schönheit und Jugendlichkeit in einem Portrait dauerhaft festhalten will. Dorian findet schnell Gefallen an den hedonistischen Freuden der gehobenen Großstadt-Gesellschaft und lernt, dass ihm sein Aussehen alle Türen öffnet. So verwundert es nicht, dass, kaum ist das Bild enthüllt, Dorian einen gedankenlosen Wunsch äußert: Seine Seele würde er dafür geben, wenn nicht er, sondern das Gemälde altert!
Der Regisseur:
Oliver Parker
Der Autor:
Toby Finlay
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Ben Barnes as Dorian Gray |
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Colin Firth as Lord Henry Wotton |
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Rebecca Hall as Emily Wotton |
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Emilia Fox as Lady Victoria Wotton |
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Ben Chaplin as Basil Hallward |
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Fiona Shaw as Agatha |
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Caroline Goodall as Lady Radly |
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Maryam D'Abo as Gladys |
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Douglas Henshall as Alan Campbell |
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Rachel Hurd-Wood as Sibyl Vane |
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Max Irons as Lucius |
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John Hollingworth as Patrol Policeman |
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Pip Torrens as Victor |
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Michael Culkin as Lord Radley |
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Nathan Rosen as Young Dorian |
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Jeffrey Lipman Snr as Lord Kelso |
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Jo Woodcock as Celia Radley |
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Louise Rose as Angelique |
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Aewia Huillet as Elisa |
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Hugh Ross as Priest |
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David Sterne as Theatre Manager |
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Johnny Harris as James Vane |
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Cato Sandford as Rent Boy |
| Writing | Toby Finlay | Screenplay |
| Directing | Oliver Parker | Director |
| Crew | Linda Deacy | Post Production Supervisor |
| Production | James Spring | Executive Producer |
| Costume & Make-Up | Jeremy Woodhead | Hair Designer |
| Production | Paul Brett | Executive Producer |
| Production | James Hollond | Executive Producer |
| Production | Xavier Marchand | Executive Producer |
| Camera | Roger Pratt | Director of Photography |
| Sound | Mark Holding | Production Sound Mixer |
| Editing | Lea Morement | First Assistant Editor |
| Editing | Guy Bensley | Editor |
| Costume & Make-Up | Jeremy Woodhead | Makeup Designer |
| Production | Tim Wellspring | Unit Production Manager |
| Production | Tim Smith | Executive Producer |
| Production | Simon Fawcett | Executive Producer |
| Art | Rod McLean | Art Direction |
| Directing | Anwen Bull | Script Supervisor |
| Directing | Christopher Newman | First Assistant Director |
| Sound | Max Hoskins | Supervising Sound Editor |
| Art | John Beard | Production Design |
| Production | Sophie Meyer | Associate Producer |
| Production | Barnaby Thompson | Producer |
| Production | Alexandra Derbyshire | Co-Producer |
| Writing | Oscar Wilde | Novel |
| Sound | Charlie Mole | Original Music Composer |
| Crew | George Cottle | Stunts |
| Costume & Make-Up | Ruth Myers | Costume Design |
| Costume & Make-Up | Kevin Alexander | Makeup Artist |
| Costume & Make-Up | Nathaniel De'Lineadeus | Special Effects Makeup Artist |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
| Costume & Make-Up | Lesley Smith | Makeup Artist |
| Sound | Jack Stew | Foley Artist |
| Art | Niamh Coulter | Set Decoration |
| Production | Lucy Bevan | Casting |
| Sound | Andrea King | Foley Artist |
| Lighting | Chuck Finch | Gaffer |
| Art | Peter James | Standby Art Director |
| Camera | Julian Morson | Camera Operator |
