Gideon und Samson (1965)
Beginnend mit der Geschichte von Gideon wird ein Bauer von Gott angewiesen, Israel aus den Händen der Midianiter zu retten. Der Herr weist Gideon an, den Altar des Götzengottes Baal niederzureißen. Voller Glauben nimmt er 300 Männer, erhebt sich gegen die Midianiter und bringt vierzig Jahre Frieden und Ruhe in das Land Israel. Samson war von Geburt an ein Kind Gottes. Gott schenkt ihm die Stärke einer Armee, die Kraft, die er aus seinem Koerper zieht, und nutzt sowohl die Stärke als auch die Schwächen Samsons, um Israel von den Philistern zu befreien.
Die Regisseur:
Marcello Baldi, Francisco Pérez-Dolz.
Die Autor:
Flavio Niccolini, Tonino Guerra, Marcello Baldi, Ottavio Jemma.
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Rosalba Neri as Delila |
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Anton Geesink as Sansone / Samson |
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Ivo Garrani as Gedeone / Gideon |
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Fernando Rey as Lo straniero / The Stranger - Angel of the Lord |
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Luz Márquez as Donna di Gaza / Woman of Gaza |
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Paolo Gozlino as Principe di Gaza / Prince of Gaza |
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Ana María Noé as Madre di Sansone / Mother of Samson |
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Maruchi Fresno as Moglie di Gedeone / Wife of Gideon |
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Giorgio Cerioni as Jeter - Figlio di Gedeone / Jether - Son of Gideon |
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Piero Gerlini as Ferim |
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Lucio De Santis as Nabur |
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Sergio Ammirata as Generale filisteo |
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Barta Barri as Fara (as Barta Barry) |
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José Jaspe as Zebaj / Zebah (as José Jaspes) |
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Consalvo Dell'Arti as |
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Beni Deus as Salmunna (uncredited) |
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Mirko Ellis as (uncredited) |
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Pepe Martín as Architetto (uncredited) |
| Directing | Marcello Baldi | Director |
| Costume & Make-Up | Giorgio Desideri | Costume Design |
| Camera | Otello Spila | Assistant Camera |
| Crew | Dino Galiano | Special Effects |
| Directing | Francisco Pérez-Dolz | Director |
| Art | Adolfo Cofiño | Set Decoration |
| Art | Arrigo Breschi | Set Decoration |
| Directing | Flavio Niccolini | Assistant Director |
| Camera | Ubaldo Terzano | Camera Operator |
| Sound | Alberto Zedda | Conductor |
| Writing | Flavio Niccolini | Screenplay |
| Production | Toni Di Carlo | Line Producer |
| Production | José María Alonso Pesquera | Production Manager |
| Camera | José Antonio Hoya | Assistant Camera |
| Camera | Marcello Masciocchi | Director of Photography |
| Costume & Make-Up | Cesare Gambarelli | Makeup Artist |
| Visual Effects | Luciano Vittori | Visual Effects |
| Camera | Salvador Gil | Camera Operator |
| Editing | Lucia Coos | Assistant Editor |
| Writing | Tonino Guerra | Screenplay |
| Production | Diego Gómez Sempere | Production Supervisor |
| Writing | Marcello Baldi | Screenplay |
| Directing | José López Rodero | Assistant Director |
| Art | Ottavio Scotti | Production Design |
| Costume & Make-Up | Francisco Ramón Ferrer | Makeup Artist |
| Production | Vittorio Galiano | Production Supervisor |
| Art | Sigfrido Burman | Production Design |
| Costume & Make-Up | Alberto De Rossi | Makeup Artist |
| Costume & Make-Up | Giannetto De Rossi | Makeup Artist |
| Directing | Renato Rizzuto | Assistant Director |
| Crew | Vitantonio Ricci | Special Effects |
| Directing | Rometta Pietrostefani | Script Supervisor |
| Editing | Giuliana Attenni | Editor |
| Sound | Giorgio Pallotta | Sound |
| Directing | Ricardo Huertas | Script Supervisor |
| Sound | Teo Usuelli | Music |
| Production | Miguel Fernández de Prada | Production Manager |
| Writing | Ottavio Jemma | Screenplay |
