Maria voll der Gnade (2004)
Die kolumbianisch-US-amerikanische Produktion erzählt in beeindruckender Weise von den Lebensbedingungen in Kolumbien, dem Drogenhandel und dem Mut einer jungen Frau, ihren eigenen Weg zu gehen.
Der Regisseur: Joshua Marston
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Catalina Sandino Moreno as María Álvarez |
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Guilied Lopez as Lucy Díaz |
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Yenny Paola Vega as Blanca |
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Jhon Álex Toro as Franklin |
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Virgina Ariza as Juana |
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Rodrigo Sánchez Borhorquez as Supervisor |
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Charles Albert Patiño as Felipe |
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Wilson Guerrero as Juan |
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Johanna Andrea Mora as Diana Álvarez |
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Evangelina Morales as Rosita |
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Jaime Osorio Gómez as Javier |
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Victor Macias as Pellet Maker |
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Hugo Ferro as Pharmacist |
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Ana María Acosta as Stewardess |
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Patricia Rae as Carla |
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George Smith as |
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Selenis Leyva as Customs Inspector |
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Fabricio Suarez as Pacho |
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Juana Guarderas as Female Pharmacist |
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Mateo Suarez as Pacho |
| Sound | Jacobo Lieberman | Original Music Composer |
| Art | Yann Blanc | Art Direction |
| Production | Becky Glupczynski | Line Producer |
| Art | Carrie Stewart | Set Decoration |
| Directing | Joshua Marston | Director |
| Editing | Lee Percy | Editor |
| Production | Paul S. Mezey | Producer |
| Production | Gigia Jaramillo | Line Producer |
| Camera | Jim Denault | Director of Photography |
| Editing | Anne McCabe | Editor |
| Sound | Leonardo Heiblum | Original Music Composer |
| Sound | James Wright | Dolby Consultant |
| Sound | Allan Zaleski | Sound Effects Editor |
| Production | Ellyn Long Marshall | Casting |
| Production | Jorge Valencia | Casting |
| Production | Maria E. Nelson | Casting |
| Camera | Larry Riley | Still Photographer |
| Lighting | David Elwell | Rigging Gaffer |
| Camera | Cristobal Corral | Still Photographer |
| Sound | Rick Ash | Sound Re-Recording Mixer |
| Lighting | Scott Miller | Gaffer |
| Sound | Marko Costanzo | Foley |
| Costume & Make-Up | Lauren Press | Costume Design |
| Visual Effects | Heather L. Anderson | Visual Effects Supervisor |
| Art | Debbie DeVilla | Production Design |
| Camera | Jay Silver | Camera Operator |
| Camera | Ricardo Sarmiento | First Assistant Camera |
| Sound | Ricardo Escallón | ADR & Dubbing |
| Sound | Frank Kern | Foley |
| Production | Rodrigo Guerrero | Associate Producer |
| Sound | Steven Visscher | Foley |
| Sound | George A. Lara | Foley |
| Production | Orlando Tobón | Associate Producer |
| Costume & Make-Up | Sarah Beers | Costume Design |
| Directing | Mariana Hellmund | Script Supervisor |
| Camera | Milly Itzhak | First Assistant Camera |
| Production | Maria Eugenia Salazar | Casting |
| Art | Mónica Marulanda | Production Design |
| Sound | Ruth Hernandez | ADR & Dubbing |
| Sound | Reilly Steele | Sound Re-Recording Mixer |
| Costume & Make-Up | Flore Marina Sandoval | Hairstylist |
| Sound | Drew Webster | Sound Re-Recording Mixer |
| Art | Thomas Lee | Art Department Coordinator |
| Art | Raul V. Carrera | Assistant Art Director |
| Costume & Make-Up | Dallas Hartnett | Key Hair Stylist |
| Costume & Make-Up | Renee Didio | Makeup Artist |
| Crew | Juan Olmo | Property Master |
| Costume & Make-Up | Flore Marina Sandoval | Makeup Artist |
| Costume & Make-Up | Donna Marie Fischetto | Hairstylist |
| Sound | Philip Stockton | Supervising Sound Editor |
| Sound | Lynn Fainchtein | Music Supervisor |
| Sound | Alex Wolfe | Sound Mixer |
| Production | Jaime Osorio Gómez | Co-Producer |
| Writing | Joshua Marston | Writer |
| Camera | Rodrigo Guerrero | Second Unit Director of Photography |
