Deep Blue Sea 2 (2018)
Jahre nachdem für das Aquatica-Projekt genetisch veränderte Haie genutzt wurden, um eine Heilung für Alzheimer zu entwickeln, sollen die Forschungen wieder aufgenommen werden. Ungeachtet der Tragödie, die damals zum Abbruch führte... Der Pharma-Milliardär Carl Monroe treibt die Experimente in einem Unterwasserlabor voran und hat mit Ex-Navy-SEAL Trent Slater und den Wissenschaftlern Daniel und Leslie Kim bereits ein Team um sich versammelt. Zudem hätte er die Haischützerin Misty Calhoun auch gerne in seinem Team. Als diese jedoch herausfindet, dass Monroe aggressive Bullenhaie als Testobjekte benutzt ist sie jedoch entsetzt und hat eine schlimme Vorahnung. Das Experiment entwickelt sich zunehmend gefährlicher - die Haie werden schlauer, schneller und viel, viel tödlicher…
Der Regisseur: Darin Scott
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Danielle Savre as Misty Calhoun |
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Rob Mayes as Trent Slater |
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Michael Beach as Carl Durant |
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Nathan Lynn as Aaron Ellroy |
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Kim Syster as Leslie Kim |
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Jeremy Jess Boado as Daniel Kim |
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Adrian Collins as Mike Shutello |
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Cameron Robertson as Josh Hooper |
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Darron Meyer as Craig Burns |
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Marc Hyland as Ruhengeri |
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Tamer Burjaq as Kwame |
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Liza Scholtz as Admiring Student |
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Dominique Mabille as Teenage Girl |
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Gino Lee as Lovestruck Student |
| Writing | Duncan Kennedy | Characters |
| Writing | Wayne Powers | Characters |
| Writing | Donna Powers | Characters |
| Production | Mayra Garcia | Production Coordinator |
| Lighting | Gilles Boisacq | Gaffer |
| Editing | Christopher Obal | Digital Intermediate Editor |
| Visual Effects | Hein Oosthuizen | 3D Artist |
| Costume & Make-Up | Carren Marchant | Costume Standby |
| Production | Shannyn Zorab | Production Assistant |
| Editing | Kyle Landman | Dailies Operator |
| Production | Riaan Cordier | Production Accountant |
| Directing | Darin Scott | Director |
| Production | Tom Keniston | Executive Producer |
| Sound | Sean Murray | Original Music Composer |
| Editing | Michael Trent | Editor |
| Production | David Wicht | Co-Producer |
| Art | Franz Lewis | Production Design |
| Production | Harriet Greenspan | Casting |
| Writing | Hans Rodionoff | Story |
| Camera | Thomas L. Callaway | Director of Photography |
| Production | Tom Siegrist | Producer |
| Costume & Make-Up | Juanette Van Der Merwe | Key Makeup Artist |
| Art | Hugo Queiroga | Construction Manager |
| Visual Effects | Christopher Bekker | Digital Compositor |
| Visual Effects | David Jose Ferreira | Digital Compositor |
| Sound | Christopher M. Foster | Music Editor |
| Art | Mark Risk | Storyboard Artist |
| Crew | Dylan Palmboom | Compositor |
| Editing | Matt McFarland | Digital Intermediate Colorist |
| Art | Shakeela Kingzley | Art Department Coordinator |
| Visual Effects | Douw van Niekerk | Digital Compositor |
| Camera | Sven Vosloo | Second Unit Director of Photography |
| Lighting | Guy Stallard | Gaffer |
| Camera | Brendon Bennett | Underwater Camera |
| Writing | Jessica Scott | Teleplay |
| Costume & Make-Up | Niqui da Silva | Makeup Designer |
| Crew | Sven Hohmeier | Compositor |
| Camera | Jonathan Kyle | Focus Puller |
| Camera | Nigel Tompkins | Digital Imaging Technician |
| Visual Effects | Tyla Koen | Digital Compositor |
| Visual Effects | Marc Bloch | Visual Effects Supervisor |
| Camera | Damien Walsh | Focus Puller |
| Costume & Make-Up | Misha du Toit | Costume Supervisor |
| Crew | Fraser James | Marine Coordinator |
| Crew | Helene Turvey | Unit Publicist |
| Writing | Hans Rodionoff | Teleplay |
| Crew | Angelo Beceiro Collinicos | Compositor |
| Crew | Maria Friesen | Visual Effects Editor |
| Production | Craig Swanepoel | Extras Casting |
| Costume & Make-Up | Dihantus Engelbrecht | Costume Design |
| Visual Effects | Annel Rautenbach | Digital Compositor |
| Crew | Stephanie Traut | Visual Effects Editor |
| Camera | Riyaad Majiet | Best Boy Grip |
| Camera | Wayne Richards | Grip |
| Camera | Roderick Dean Smith | Key Grip |
| Directing | Andre Weavind | First Assistant Director |
| Sound | Claire Hesom | Boom Operator |
| Crew | Darrin Hofmeyr | CG Supervisor |
| Visual Effects | Marco Raposo de Barbosa | Visual Effects Supervisor |
| Camera | Sven Vosloo | "A" Camera Operator |
| Sound | Barry Donnelly | ADR Recordist |
| Sound | Travis Crotts | Foley Editor |
| Crew | Norman Jardim | Carpenter |
| Crew | Lise-Marie Bothma | Special Effects Coordinator |
| Visual Effects | Byron Tofas | Compositing Lead |
| Camera | Adrian Boerlage | First Assistant Camera |
| Camera | Zaheer Ismail | Grip |
| Camera | Mark Forster | Key Grip |
| Camera | Lwazi Jokazi | Assistant Grip |
| Lighting | Julius Ndakwa | Electrician |
| Lighting | Justice Amadi | Electrician |
| Writing | Erik Patterson | Teleplay |
| Sound | Jason Oliver | ADR Mixer |
| Sound | Travis Crotts | Dialogue Editor |
| Sound | Clayton Weber | Sound Re-Recording Mixer |
| Visual Effects | Max Poolman | Special Effects Supervisor |
| Camera | Ezra Van Schalkwyk | Camera Loader |
| Production | Johan van Huyssteen | Location Manager |
| Visual Effects | Mathapo Tlou | Digital Compositor |
| Camera | Guy Hodgen | "B" Camera Operator |
| Camera | Jason Venter | Best Boy Grip |
| Camera | Casey van der Touw | Camera Loader |
| Lighting | Moses Makateng | Electrician |
| Editing | Bruce Lomet | Digital Intermediate Producer |
| Camera | Jan Du Toit | Epk Camera Operator |
| Sound | Clayton Weber | Supervising Sound Editor |
| Camera | Anele Thobi | Assistant Grip |
| Directing | Ashley Aldworth | Script Supervisor |
| Sound | Fred Paragano | Sound Re-Recording Mixer |
| Visual Effects | Carelize Jacobs | Digital Compositor |
| Sound | Kurt Godwin | Sound Mix Technician |
| Crew | Luke Rhode | Stunts |
