Wunderbare Zeiten (1944)
Eine Londoner Familienchronik, 1919 bis 1939. Im neu bezogenen Reihenhaus durchleben der Kriegsveteran Frank Gibbons und seine Frau Ethel gemeinsam mit ihren drei Kindern sowie der Schwiegermutter und einer Schwägerin kleine Dramen und echte Tragödien. Bei ihrem Auszug droht der nächste Krieg
Der Regisseur:
David Lean
Die Autor:
Ronald Neame, David Lean, Anthony Havelock-Allan.
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Robert Newton as Frank Gibbons |
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Celia Johnson as Ethel Gibbons |
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Amy Veness as Mrs. Flint |
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Alison Leggatt as Aunt Sylvia |
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Stanley Holloway as Bob Mitchell |
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John Mills as Billy Mitchell |
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Kay Walsh as Queenie Gibbons |
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Eileen Erskine as Vi Gibbons |
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John Blythe as Reg Gibbons |
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Guy Verney as Sam Leadbitter |
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Betty Fleetwood as Phyllis Blake |
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Merle Tottenham as Edie |
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Mabel Etherington as Woman in Crowd |
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Jack May as Mourner |
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Laurence Olivier as Narrator (voice) |
| Directing | David Lean | Director |
| Writing | Noël Coward | Theatre Play |
| Production | Noël Coward | Producer |
| Art | C.P. Norman | Art Direction |
| Camera | Guy Green | Camera Operator |
| Crew | W. Percy Day | Special Effects |
| Sound | C. C. Stevens | Sound Recordist |
| Camera | Ronald Neame | Director of Photography |
| Editing | Jack Harris | Editor |
| Sound | Muir Mathieson | Music Director |
| Sound | John Cook | Sound Recordist |
| Sound | Desmond Dew | Sound Recordist |
| Costume & Make-Up | Tony Sforzini | Makeup Artist |
| Costume & Make-Up | Hilda Collins | Wardrobe Supervisor |
| Crew | Charles Staffell | Projection |
| Production | Ronald Neame | Associate Producer |
| Camera | David Lytton | Clapper Loader |
| Art | Arthur Lawson | Assistant Art Director |
| Production | Robert C. Foord | Assistant Production Manager |
| Camera | Eugene H.E. Pizey | Still Photographer |
| Production | Jack Martin | Production Manager |
| Costume & Make-Up | Marjorie Whittle | Assistant Hairstylist |
| Camera | Dennis Bartlett | Clapper Loader |
| Costume & Make-Up | Vivienne Walker | Hairdresser |
| Directing | Anthony Hearne | Third Assistant Director |
| Editing | Norah Walsh | Assistant Editor |
| Camera | George Minassian | Focus Puller |
| Art | Harold Hurdell | Draughtsman |
| Crew | George Blackwell | Special Effects |
| Sound | Muir Mathieson | Original Music Composer |
| Sound | Muir Mathieson | Conductor |
| Camera | B. Francke | Camera Operator |
| Visual Effects | George Blackwell | Modeling |
| Sound | Gordon K. McCallum | Boom Operator |
| Directing | George Pollock | Assistant Director |
| Sound | Clifton Parker | Original Music Composer |
| Directing | Maggie Unsworth | Continuity |
| Sound | Percy Dayton | Boom Operator |
| Camera | Jim Body | Focus Puller |
| Production | Kenneth Horne | Production Manager |
| Sound | George Paternoster | Boom Operator |
| Writing | Ronald Neame | Screenplay |
| Writing | David Lean | Screenplay |
| Writing | Anthony Havelock-Allan | Screenplay |
