Anschlag in Westpoint (1994)
Johnson Whitaker ist einer der ersten farbigen Kadetten, die an der Elite-Militärakademie West Point aufgenommen werden. Vielen seiner weißen Kollegen ist er ein Dorn im Auge. Ständig wird er drangsaliert, wobei die Attacken soweit gehen, dass er von seinen Kameraden gefesselt und brutal verprügelt wird. Doch es sind nicht diese Kadetten, die vor ein Militärgericht gestellt werden. Es ist Johnson Whitaker, dem man vorwirft, diesen Angriff auf sich selbst inszeniert zu haben, um einem Philosophie-Examen zu entgehen. Verteidigt wird Whitaker von einem Rassisten und einem jungen Anwalt, der gerade seinen Abschluss gemacht hat. Aber wie verteidigt man einen Mann, den das US-Militär unbedingt los werden will?
Der Regisseur: Harry Moses
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Samuel L. Jackson as Richard Greener |
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Sam Waterston as Daniel Chamberlain |
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Mason Adams as Henry D. Hyde |
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Val Avery as Gen. Sherman |
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Eddie Bracken as Maj. Charles T. Alexander |
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Gene Canfield as McIntosh |
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Robert Clohessy as Dan Broyles |
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Al Freeman Jr. as Old Johnson Whittaker |
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George Martin as President Rutherford B. Hayes |
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Ken Garito as Cadet Lewis Ostheim |
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Greg Germann as Vernon Bailey |
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John Glover as Maj. Asa Bird Gardiner |
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Brad Greenquist as Dr. Beard |
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Peter Maloney as Capt. William Smith Michie |
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Scott Paetty as Cadet George Burnett |
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Josef Sommer as Col. Morrow |
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Seth Gilliam as Cadet Johnson C. Whittaker |
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Anthony Rapp as Cadet Frederick G. Hodgson |
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Jim Grimshaw as Grimes |
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James Bigwood as Albert S. Southworth |
| Writing | Harry Moses | Writer |
| Directing | Harry Moses | Director |
| Sound | Craig Sadler | Sound Effects Editor |
| Camera | Jim Bridges | Still Photographer |
| Production | Kitty Olisky | Production Coordinator |
| Art | Jea DeVoe | Art Direction |
| Crew | Bob Shelley | Special Effects Coordinator |
| Art | Howard Cummings | Production Design |
| Directing | Timothy J. Lonsdale | First Assistant Director |
| Camera | Ken Kelsch | Director of Photography |
| Costume & Make-Up | Paul A. Simmons Jr. | Costume Design |
| Production | Harry Moses | Producer |
| Art | Lisa Caperton | Set Decoration |
| Sound | Mark Cookson | Sound Effects Editor |
| Sound | Terence Blanchard | Original Music Composer |
| Production | Leonard Finger | Casting |
| Costume & Make-Up | Rosalee Bologa Riggle | Hairstylist |
| Directing | Wendy Lee Roberts | Script Supervisor |
| Editing | Jay Freund | Editor |
| Costume & Make-Up | Joseph P. Hurt | Makeup Department Head |
| Sound | Paul Urmson | Sound Effects Editor |
| Production | Stephanie Klapper | Casting |
| Art | Eric Gruber | Construction Coordinator |
| Sound | David Grant | Dialogue Editor |
| Sound | Tim Boggs | Supervising ADR Editor |
| Sound | Steve Scoville | Dialogue Editor |
| Sound | Stanley Kastner | Sound Re-Recording Mixer |
| Sound | Dan Jamele | Dialogue Editor |
| Art | Marty Garrigan | Property Master |
| Sound | Patrick Giraudi | Dialogue Editor |
| Sound | Louis Creveling | Dialogue Editor |
| Sound | James Thornton | Production Sound Mixer |
| Sound | John Ross | Sound Re-Recording Mixer |
| Production | James Bigwood | Unit Production Manager |
| Sound | Debbie Melford | ADR Editor |
