See How They Run (2022)
Im Londoner West End der 1950er Jahre werden die Pläne für die Verfilmung eines Erfolgsstücks abrupt gestoppt, nachdem ein wichtiges Mitglied der Crew ermordet wird. Als der weltmüde Inspektor Stoppard und die eifrige Constable Stalker den Fall übernehmen, finden sich die beiden in einem rätselhaften Krimi im glamourösen, schmutzigen Theateruntergrund wieder und untersuchen den mysteriösen Mordfall auf eigene Gefahr.
Der Regisseur: Tom George
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Sam Rockwell as Inspector Stoppard |
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Saoirse Ronan as Constable Stalker |
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Adrien Brody as Leo Köpernick |
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Ruth Wilson as Petula Spencer |
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Reece Shearsmith as John Woolf |
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Harris Dickinson as Richard Attenborough |
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Charlie Cooper as Dennis Corrigan |
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David Oyelowo as Mervyn Cocker-Norris |
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Kieran Hodgson as Harley the Motorcycle Messenger |
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Pearl Chanda as Sheila Sim |
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Gregory Cox as Major Metcalf |
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Maggie McCarthy as Mrs. Boyle |
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Oliver Jackson as Trumpet |
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Tomi Ogbaro as Double Bass |
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Sian Clifford as Edana Romney |
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Jacob Fortune-Lloyd as Gio |
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Ania Marson as Mother |
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Tim Key as Commissioner Harrold Scott |
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Philip Desmeules as Pierre |
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Laura Morgan as Joyce |
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Pippa Bennett-Warner as Ann Saville |
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Angus Wright as Sgt Bakewell |
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Shirley Henderson as Agatha Christie |
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Paul Chahidi as Fellowes |
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Lucian Msamati as Max Mallowan |
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Tolu Ogunmefun as Mr. Lyon |
| Sound | Sarah Bridge | Music Supervisor |
| Sound | Daniel Pemberton | Original Music Composer |
| Editing | Gary Dollner | Editor |
| Editing | Peter Lambert | Editor |
| Art | Amanda McArthur | Production Design |
| Camera | Jamie D. Ramsay | Director of Photography |
| Production | Gina Carter | Producer |
| Costume & Make-Up | Nadia Stacey | Hair Designer |
| Costume & Make-Up | Nadia Stacey | Makeup Designer |
| Production | Thomas Darby-Evans | Line Producer |
| Production | Yesi Ramirez | Casting |
| Art | Robert Haynes | Standby Art Director |
| Art | Abbie Bellwood | Art Direction |
| Art | Daniel Kearns | Art Direction |
| Art | John Reid | Supervising Art Director |
| Art | Celia De La Hey | Set Decoration |
| Art | Sophia Millar | Assistant Set Decoration |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Costume & Make-Up | Carolyn Cousins | Makeup Supervisor |
| Costume & Make-Up | Zainab Jaye | Makeup Artist |
| Costume & Make-Up | Kerieann London | Makeup Artist |
| Production | Liza Carmel | Unit Production Manager |
| Crew | Louise Seymour | Post Production Supervisor |
| Production | John Palfery Smith | Production Manager |
| Directing | Neil Wallace | First Assistant Director |
| Sound | Julian Bale | Second Assistant Sound |
| Sound | Martin Beresford | Production Sound Mixer |
| Sound | Paul Carter | Sound Designer |
| Sound | Paul Carter | Sound Re-Recording Mixer |
| Sound | Patrick Christensen | ADR Mixer |
| Sound | Paul Cotterell | Sound Re-Recording Mixer |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Chris Navarro | ADR Mixer |
| Sound | Keith Partridge | Foley Mixer |
| Sound | Kasper Pedersen | Dialogue Editor |
| Sound | Jennie Shea | ADR Recordist |
| Sound | Danny Sheehan | Supervising Sound Editor |
| Sound | Barnaby Smyth | Foley Supervisor |
| Sound | Alex Stylianou | ADR Recordist |
| Sound | Mike Tehrani | ADR Mixer |
| Visual Effects | Thomas Ashby | Pipeline Technical Director |
| Visual Effects | Jonathan Atkins-Pott | Digital Compositor |
| Crew | Elliot Barrett | Visual Effects Editor |
| Visual Effects | Tim Barter | Visual Effects Supervisor |
| Visual Effects | Blanca Del Pozo Cavallé De Moya | Rotoscoping Artist |
| Crew | James Devlin | Visual Effects Editor |
| Visual Effects | James D. Etherington | Visual Effects Supervisor |
| Visual Effects | Zafar Janjua | Visual Effects Producer |
| Visual Effects | Callum Mcnulty | Digital Compositor |
| Crew | Nino Oz | Compositor |
| Visual Effects | Dan Victoire | Compositing Lead |
| Visual Effects | Jonathan Jean-Marie Wannyn | VFX Artist |
| Visual Effects | Siân Venables | VFX Artist |
| Visual Effects | Antonio Pavlov | VFX Artist |
| Art | Piotr Micyk | Set Dresser |
| Art | Amy Lockwood | Assistant Set Decoration |
| Art | Amy Diamond | Assistant Set Decoration |
| Art | Tabitha Boyd | Art Department Coordinator |
| Costume & Make-Up | Charlotte Ashworth | Costume Standby |
| Costume & Make-Up | Marianna Bourmpoula | Set Costumer |
| Costume & Make-Up | Emma Burnand | Assistant Costume Designer |
| Costume & Make-Up | Kashca Garwood-Walker | Costume Assistant |
| Costume & Make-Up | Holly McLean | Costumer |
| Costume & Make-Up | Tom O’Dell | Costumer |
| Costume & Make-Up | Luan Placks | Assistant Costume Designer |
| Costume & Make-Up | Amy Pollitt | Costumer |
| Costume & Make-Up | Hannah Warren | Costumer |
| Costume & Make-Up | Alex Watherston | Costume Supervisor |
| Visual Effects | James Devlin | VFX Editor |
| Editing | Monika Radwańska | First Assistant Editor |
| Editing | Suhaila Mahmoud | Digital Intermediate Producer |
| Production | Robert Platt-Higgins | Post Production Coordinator |
| Sound | Mark Baechle | Orchestrator |
| Sound | Robin Baynton | Music Editor |
| Sound | Richard Bronskill | Orchestrator |
| Sound | Andy Patterson | Music Editor |
| Directing | Natalie Scicluna | Script Supervisor |
| Production | Sarada McDermott | Executive Producer |
| Crew | Sarah Lochlan | Stunt Double |
| Crew | Matt Da Silva | Stunts |
| Crew | Grace Franzl | Stunts |
| Crew | Sarah Franzl | Stunt Coordinator |
| Crew | Andrew Burford | Stunt Double |
| Crew | Charlie Pawlett | Stunt Double |
| Crew | David Newton | Stunt Double |
| Crew | Justin Pearson | Stunts |
| Crew | Adam Smith | Stunts |
| Crew | Anthony Skrimshire | Stunt Double |
| Directing | Helen Fraser | Second Assistant Director |
| Lighting | Carolina Schmidtholstein | Gaffer |
| Directing | Tom George | Director |
| Writing | Mark Chappell | Writer |
| Production | Damian Jones | Producer |
| Visual Effects | John Chelepis | Visual Effects |
