See How They Run (2022)
Im Londoner West End der 1950er Jahre werden die Pläne für die Verfilmung eines Erfolgsstücks abrupt gestoppt, nachdem ein wichtiges Mitglied der Crew ermordet wird. Als der weltmüde Inspektor Stoppard und die eifrige Constable Stalker den Fall übernehmen, finden sich die beiden in einem rätselhaften Krimi im glamourösen, schmutzigen Theateruntergrund wieder und untersuchen den mysteriösen Mordfall auf eigene Gefahr.
Der Regisseur: Tom George
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Sam Rockwell as Inspector Stoppard |
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Saoirse Ronan as Constable Stalker |
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Adrien Brody as Leo Köpernick |
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Ruth Wilson as Petula Spencer |
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Reece Shearsmith as John Woolf |
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Harris Dickinson as Richard Attenborough |
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Charlie Cooper as Dennis Corrigan |
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David Oyelowo as Mervyn Cocker-Norris |
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Kieran Hodgson as Harley the Motorcycle Messenger |
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Pearl Chanda as Sheila Sim |
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Gregory Cox as Major Metcalf |
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Maggie McCarthy as Mrs. Boyle |
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Oliver Jackson as Trumpet |
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Tomi Ogbaro as Double Bass |
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Sian Clifford as Edana Romney |
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Jacob Fortune-Lloyd as Gio |
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Ania Marson as Mother |
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Tim Key as Commissioner Harrold Scott |
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Philip Desmeules as Pierre |
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Laura Morgan as Joyce |
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Pippa Bennett-Warner as Ann Saville |
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Angus Wright as Sgt Bakewell |
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Shirley Henderson as Agatha Christie |
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Paul Chahidi as Fellowes |
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Lucian Msamati as Max Mallowan |
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Tolu Ogunmefun as Mr. Lyon |
| Sound | Daniel Pemberton | Original Music Composer |
| Editing | Peter Lambert | Editor |
| Editing | Gary Dollner | Editor |
| Production | Gina Carter | Producer |
| Camera | Jamie D. Ramsay | Director of Photography |
| Art | Amanda McArthur | Production Design |
| Sound | Sarah Bridge | Music Supervisor |
| Costume & Make-Up | Nadia Stacey | Hair Designer |
| Costume & Make-Up | Nadia Stacey | Makeup Designer |
| Sound | Mike Tehrani | ADR Mixer |
| Sound | Martin Beresford | Production Sound Mixer |
| Directing | Neil Wallace | First Assistant Director |
| Sound | Paul Carter | Sound Designer |
| Sound | Paul Cotterell | Sound Re-Recording Mixer |
| Costume & Make-Up | Zainab Jaye | Makeup Artist |
| Costume & Make-Up | Kerieann London | Makeup Artist |
| Crew | Louise Seymour | Post Production Supervisor |
| Sound | Paul Carter | Sound Re-Recording Mixer |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Jennie Shea | ADR Recordist |
| Visual Effects | Blanca Del Pozo Cavallé De Moya | Rotoscoping Artist |
| Crew | James Devlin | Visual Effects Editor |
| Production | Thomas Darby-Evans | Line Producer |
| Production | Yesi Ramirez | Casting |
| Production | Liza Carmel | Unit Production Manager |
| Art | Abbie Bellwood | Art Direction |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Sound | Patrick Christensen | ADR Mixer |
| Visual Effects | Callum Mcnulty | Digital Compositor |
| Costume & Make-Up | Charlotte Ashworth | Costume Standby |
| Art | Piotr Micyk | Set Dresser |
| Art | John Reid | Supervising Art Director |
| Sound | Alex Stylianou | ADR Recordist |
| Visual Effects | Dan Victoire | Compositing Lead |
| Directing | Natalie Scicluna | Script Supervisor |
| Costume & Make-Up | Kashca Garwood-Walker | Costume Assistant |
| Costume & Make-Up | Amy Pollitt | Costumer |
| Costume & Make-Up | Alex Watherston | Costume Supervisor |
| Editing | Suhaila Mahmoud | Digital Intermediate Producer |
| Sound | Robin Baynton | Music Editor |
| Art | Celia De La Hey | Set Decoration |
| Visual Effects | Zafar Janjua | Visual Effects Producer |
| Visual Effects | Antonio Pavlov | VFX Artist |
| Costume & Make-Up | Marianna Bourmpoula | Set Costumer |
| Costume & Make-Up | Luan Placks | Assistant Costume Designer |
| Production | Robert Platt-Higgins | Post Production Coordinator |
| Costume & Make-Up | Emma Burnand | Assistant Costume Designer |
| Costume & Make-Up | Carolyn Cousins | Makeup Supervisor |
| Sound | Julian Bale | Second Assistant Sound |
| Crew | Elliot Barrett | Visual Effects Editor |
| Visual Effects | Thomas Ashby | Pipeline Technical Director |
| Visual Effects | Jonathan Atkins-Pott | Digital Compositor |
| Art | Amy Lockwood | Assistant Set Decoration |
| Costume & Make-Up | Holly McLean | Costumer |
| Visual Effects | James Devlin | VFX Editor |
| Sound | Richard Bronskill | Orchestrator |
| Crew | Nino Oz | Compositor |
| Costume & Make-Up | Tom O’Dell | Costumer |
| Costume & Make-Up | Hannah Warren | Costumer |
| Art | Robert Haynes | Standby Art Director |
| Visual Effects | Tim Barter | Visual Effects Supervisor |
| Art | Amy Diamond | Assistant Set Decoration |
| Art | Daniel Kearns | Art Direction |
| Art | Sophia Millar | Assistant Set Decoration |
| Sound | Danny Sheehan | Supervising Sound Editor |
| Production | John Palfery Smith | Production Manager |
| Sound | Chris Navarro | ADR Mixer |
| Sound | Keith Partridge | Foley Mixer |
| Sound | Kasper Pedersen | Dialogue Editor |
| Sound | Barnaby Smyth | Foley Supervisor |
| Sound | Mark Baechle | Orchestrator |
| Sound | Andy Patterson | Music Editor |
| Visual Effects | James D. Etherington | Visual Effects Supervisor |
| Visual Effects | Siân Venables | VFX Artist |
| Art | Tabitha Boyd | Art Department Coordinator |
| Editing | Monika Radwańska | First Assistant Editor |
| Visual Effects | Jonathan Jean-Marie Wannyn | VFX Artist |
| Production | Sarada McDermott | Executive Producer |
| Crew | Matt Da Silva | Stunts |
| Lighting | Carolina Schmidtholstein | Gaffer |
| Crew | Adam Smith | Stunts |
| Crew | Andrew Burford | Stunt Double |
| Directing | Helen Fraser | Second Assistant Director |
| Crew | Charlie Pawlett | Stunt Double |
| Crew | Sarah Franzl | Stunt Coordinator |
| Crew | Grace Franzl | Stunts |
| Crew | Justin Pearson | Stunts |
| Crew | Sarah Lochlan | Stunt Double |
| Crew | David Newton | Stunt Double |
| Crew | Anthony Skrimshire | Stunt Double |
| Production | Damian Jones | Producer |
| Directing | Tom George | Director |
| Writing | Mark Chappell | Writer |
| Visual Effects | John Chelepis | Visual Effects |
