Twister (1989)
Szenen aus dem Alltagsleben der Familie Cleveland, mühsam zusammengehalten durch ein Handlungsminimum und absurde Charaktere. In seiner Ansammlung alltäglicher Sinnlosigkeiten wahrscheinlich als Familienfarce und Sozialsatire gedacht, verschenkt der fantasie- und kraftlose Film sein komödiantisches Potential völlig.
Der Regisseur: Michael Almereyda
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Harry Dean Stanton as Cleveland |
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Suzy Amis as Maureen Cleveland |
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Crispin Glover as Howdy |
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Jenny Wright as Stephanie |
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Dylan McDermott as Chris |
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Charlayne Woodard as Lola |
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Lois Chiles as Virginia |
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William S. Burroughs as Man in Barn |
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David Brown as Bob Breevort |
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Tim Robbins as Jeff |
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Ron Vawter as Man in Bar |
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Lindsay Christman as Violet |
| Directing | Michael Almereyda | Director |
| Writing | Michael Almereyda | Writer |
| Art | David Wasco | Production Design |
| Editing | Roberto Silvi | Editor |
| Camera | Renato Berta | Director of Photography |
| Production | Dan Ireland | Executive Producer |
| Costume & Make-Up | Carol Wood | Costume Design |
| Costume & Make-Up | Angela Nogaro | Makeup & Hair |
| Art | Dan Bishop | Art Direction |
| Production | Wieland Schulz-Keil | Producer |
| Production | William J. Quigley | Executive Producer |
| Writing | Mary Robison | Author |
| Art | Dianna Freas | Set Decoration |
| Production | Laura Greenlee | Production Coordinator |
| Art | Brian Markey | Construction Coordinator |
| Directing | Greg Penner | Second Assistant Director |
| Visual Effects | Fred Cramer | Special Effects Supervisor |
| Camera | Suzanne Tenner | Still Photographer |
| Production | Jack Lorenz | Executive In Charge Of Production |
| Art | J. Todd Anderson | Storyboard Artist |
| Editing | Dave Pultz | Color Timer |
| Sound | Hans Zimmer | Original Music Composer |
| Editing | Erica Flaum | Assistant Editor |
| Sound | Erica Flaum | Music Editor |
| Camera | Chris Squires | Second Unit Director of Photography |
| Art | Leigh Johnson | Property Master |
| Sound | Graham Preskett | Orchestrator |
| Production | Aron Warner | Production Manager |
| Sound | Ed Novick | Sound Recordist |
| Lighting | Jack Cochran | Gaffer |
| Camera | Jean-Paul Toraille | First Assistant Camera |
| Camera | Deirdre Arbucci | Second Assistant Camera |
| Sound | David M. Weishaar | Foley Mixer |
| Art | Jamie Bishop | Set Dresser |
| Costume & Make-Up | Joanna Robinson | Makeup Supervisor |
| Production | Buddy Enright | Location Manager |
| Sound | Mark Goodermote | Boom Operator |
| Directing | Veronica Flynn | Script Supervisor |
| Camera | Walter 'T.J.' Johnson | Best Boy Grip |
| Costume & Make-Up | Joanna Robinson | Hair Supervisor |
| Sound | T.A. Moore Jr. | Sound Re-Recording Mixer |
| Directing | Eric Heffron | First Assistant Director |
| Camera | Mike Connors | Dolly Grip |
| Crew | Scott Haas | Stunts |
| Sound | Anthony Palk | Supervising Sound Editor |
| Sound | Marvin I. Kosberg | Supervising Dialogue Editor |
| Directing | Steven Pearl | Second Assistant Director |
| Crew | Jerry Spicer | Stunt Coordinator |
| Sound | Jeff Gomillion | ADR Mixer |
| Sound | Jeff Gomillion | Sound Re-Recording Mixer |
| Sound | Kitty Malone | Foley Artist |
| Art | Brett Smith | Leadman |
| Sound | Ross Taylor | Foley Artist |
| Crew | Trent Harris | Thanks |
| Costume & Make-Up | Prudence Moriarty | Wardrobe Assistant |
| Costume & Make-Up | Daryl Kerrigan | Wardrobe Supervisor |
