Glengarry Glen Ross (1992)
Die vier Grundstücksmakler Shelley Levine, Ricky Roma, George Aaronow und Dave Moss stehen plötzlich mit dem Rücken zur Wand. Ihnen wird das Messer an die Brust gesetzt. Die wirtschaftliche Rezension hat auch ihr Maklerbüro erfasst. Die Firmenleitung lässt verlauten, dass nur zwei Mitarbeiter nach einem radikalen Schnitt übrig bleiben werden. Wer innerhalb kürzester Zeit am meisten verkauft, erhält einen Cadilliac Eldorado, der Zweitbeste ein Steakmesser-Set – und einen Job. Der Rest fliegt hochkant raus. Um den Standpunkt der großen Bosse im Hintergrund deutlich zu machen, wird „Bluthund“ Blake geschickt. Er hält den vier verdutzten Verkaufsprofis einen Vortrag, der sich gewaschen hat und sie wie unreife Schuljungen zurück lässt. Derart unter Druck gesetzt, machen sich die vier Makler an die Arbeit, ihren Job zu retten.
Der Regisseur:
James Foley
Der Autor:
David Mamet
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Al Pacino as Ricky Roma |
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Jack Lemmon as Shelley Levene |
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Alec Baldwin as Blake |
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Alan Arkin as George Aaronow |
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Ed Harris as Dave Moss |
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Kevin Spacey as John Williamson |
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Jonathan Pryce as James Lingk |
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Bruce Altman as Larry Spannel |
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Jude Ciccolella as Detective |
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Paul Butler as Policeman |
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Lori Tan Chinn as Coat Check Girl |
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Neal Jones as Man in Donut Shop |
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Barry Rohrssen as Assistant Detective |
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Leigh French as Additional Voices (voice) |
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George Cheung as Additional Voices (voice) |
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Murphy Dunne as Additional Voices (voice) |
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Dana Lee as Additional Voices (voice) |
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Julie Payne as Additional Voices (voice) |
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Gregory Snegoff as Additional Voices (voice) |
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Skipp Lynch as Telephone Service Man (uncredited) |
| Writing | David Mamet | Screenplay |
| Production | Stanley R. Zupnik | Producer |
| Editing | Howard E. Smith | Editor |
| Directing | James Foley | Director |
| Production | Jerry Tokofsky | Producer |
| Sound | James Newton Howard | Original Music Composer |
| Camera | Juan Ruiz Anchía | Director of Photography |
| Writing | David Mamet | Theatre Play |
| Production | Joseph M. Caracciolo Jr. | Executive Producer |
| Art | William Barclay | Art Direction |
| Art | Jane Musky | Production Design |
| Production | Morris Ruskin | Co-Producer |
| Art | Robert J. Franco | Set Decoration |
| Sound | Wayne Artman | Sound Re-Recording Mixer |
| Lighting | Lance Shepherd | Electrician |
| Production | Bonnie Timmermann | Casting |
| Sound | Brad Dechter | Orchestrator |
| Camera | Craig Haagensen | Camera Operator |
| Sound | Edward Steidele | Foley |
| Directing | Thomas A. Reilly | Assistant Director |
| Costume & Make-Up | Sharon Ilson | Makeup Artist |
| Sound | Matthew Harrison | Foley |
| Sound | Ed Callahan | Sound Effects Editor |
| Camera | Joseph Viano | Grip |
| Costume & Make-Up | Jane Greenwood | Costume Design |
| Costume & Make-Up | Colleen Callaghan | Hairstylist |
| Sound | Tom E. Dahl | Sound Re-Recording Mixer |
| Costume & Make-Up | Alan D'Angerio | Hair Department Head |
| Production | Celia D. Costas | Unit Production Manager |
| Lighting | Jerry DeBlau | Gaffer |
| Art | Fred Merusi | Construction Coordinator |
| Directing | Dianne Dreyer | Script Supervisor |
| Art | Bob Shaw | Assistant Art Director |
| Crew | Mike Maggi | Special Effects Coordinator |
| Directing | Richard Patrick | Assistant Director |
| Production | Sylvia Fay | Casting |
| Editing | Mike Stanwick | Color Timer |
| Crew | John Leonidas | Transportation Captain |
| Crew | Susan Senk | Unit Publicist |
| Art | Robert Griffon Jr. | Property Master |
| Sound | Denise Horta | Dialogue Editor |
