Piège à minuit (1960)
Kit, une jeune et riche héritière américaine, est l'épouse d'un puissant banquier britannique. Bien que comblée, elle déplore quelque peu les absences répétées de son époux, souvent retenu par ses obligations. Un soir, alors qu'elle rentre chez elle, Kit entend une voix dans le brouillard qui profère à son égard des menaces de mort. Aux yeux de Tony, son mari, il ne s'agit que d'une plaisanterie de mauvais goût. Le lendemain, Kit échappe de peu à un attentat. Peu après, un inconnu lui téléphone. Il est clair que la menace est sérieuse. Tony et Kit font appel à Scotland Yard. Malgré l'intervention de la police, la jeune femme cède à la panique...
Directeur:
David Miller
écrivains:
Ivan Goff, Ben Roberts.
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Doris Day as Kit Preston |
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Rex Harrison as Anthony Preston |
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John Gavin as Brian Younger |
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Myrna Loy as Aunt Bea |
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Roddy McDowall as Malcolm |
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Herbert Marshall as Charles Manning |
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Natasha Parry as Peggy Thompson |
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Hermione Baddeley as Dora Hammer |
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John Williams as Inspector Byrnes |
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Richard Ney as Daniel Graham |
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Anthony Dawson as Roy Ash |
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Rhys Williams as Victor Elliot |
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Richard Lupino as Simon Foster |
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Hayden Rorke as Dr. Garver |
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Doris Lloyd as Nora Stanley |
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Elspeth March as Woman |
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Peter Adams as Man at American Consulate |
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Rex Evans as Anthony Preston |
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Anna Cheselka as Ballet Dancer |
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Vladimir Oukhtomsky as Ballet Dancer |
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Colin Kenny as Pub Patron |
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Bert Stevens as Ballet Audience Spectator |
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Arthur Tovey as Commuter at Terminal |
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Brandon Beach as Ballet Audience Spectator |
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James Forrest as Doorman |
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Gwenllian Gill as Nurse (uncredited) |
| Writing | Ivan Goff | Screenplay |
| Production | Martin Melcher | Producer |
| Writing | Janet Green | Theatre Play |
| Editing | Russell F. Schoengarth | Editor |
| Sound | Frank Skinner | Original Music Composer |
| Production | Ross Hunter | Producer |
| Camera | Russell Metty | Director of Photography |
| Directing | David Miller | Director |
| Writing | Ben Roberts | Screenplay |
| Editing | Leon Barsha | Editor |
| Costume & Make-Up | Irene | Costume Design |
| Sound | Waldon O. Watson | Sound |
| Sound | Joe Lapis | Sound |
| Art | Robert Clatworthy | Art Direction |
| Art | Alexander Golitzen | Art Direction |
| Costume & Make-Up | Larry Germain | Hairstylist |
| Sound | Maxwell Anderson | Songs |
| Art | David Webb | Props |
| Crew | Leon Charles | Dialogue Coach |
| Art | Oliver Emert | Set Decoration |
| Directing | Dolores Rubin | Script Supervisor |
| Sound | Joseph Gershenson | Music Supervisor |
| Sound | Joe Lubin | Songs |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Production | Edward Muhl | Executive In Charge Of Production |
| Sound | Jerome Howard | Songs |
| Directing | Phil Bowles | Assistant Director |
| Sound | Allie Wrubel | Songs |
