Tremors 2 - Aftershocks (1996)
Le gigantesche creature, i grandi vermi, che nel primo episodio della serie mettevano a soqquadro il deserto del Nevada adesso si stanno scavando una nuova serie di cunicoli attraverso i campi petroliferi del Messico, devastando impianti e inghiottendo uomini e cose. Sulle loro tracce si mettono in tre impavidi cacciatori: il duro Earl Bassell, un giovane desideroso di cambiar vita e un'intrepida scienziata.
Direttore: S.S. Wilson
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Fred Ward as Earl Bassett |
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Helen Shaver as Kate 'White' Reilly |
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Chris Gartin as Grady Hoover |
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Michael Gross as Burt Gummer |
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Marcelo Tubert as Senor Ortega |
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José Ramón Rosario as Pedro |
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Marco Hernández as Julio |
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Thomas Rosales Jr. as Oil Worker |
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S.S. Wilson as War Documentary Narrator (uncredited) |
| Writing | S.S. Wilson | Writer |
| Production | Nancy Roberts | Producer |
| Editing | Bob Ducsay | Editor |
| Sound | Jay Ferguson | Original Music Composer |
| Writing | Brent Maddock | Characters |
| Writing | S.S. Wilson | Characters |
| Directing | S.S. Wilson | Director |
| Production | Ron Underwood | Executive Producer |
| Production | Brent Maddock | Executive Producer |
| Production | Christopher DeFaria | Producer |
| Writing | Brent Maddock | Writer |
| Writing | Ron Underwood | Characters |
| Camera | Virgil L. Harper | Director of Photography |
| Crew | Tom Elliott | Stunts |
| Crew | Phil Tippett | CGI Supervisor |
| Crew | Thomas Rosales Jr. | Stunts |
| Art | Mike Malone | Set Dresser |
| Crew | Ernie F. Orsatti | Stunts |
| Art | Batia Grafka | Property Master |
| Costume & Make-Up | Rudy Dillon | Costume Design |
| Camera | Kimberly Wright | Still Photographer |
| Costume & Make-Up | Camille Henderson | Makeup Department Head |
| Sound | Larry Goeb | Dialogue Editor |
| Lighting | Brad Draper | Gaffer |
| Art | Roger Kelton | Construction Coordinator |
| Sound | Donald P. Zappala | ADR Editor |
| Camera | Jim Sanfilippo | Best Boy Grip |
| Art | Ivo Cristante | Production Design |
| Directing | Harri James | Script Supervisor |
| Lighting | Gus Olivia | Best Boy Electric |
| Production | Ninon Tantet | Production Supervisor |
| Art | César Díez Álava | Property Master |
| Lighting | Bobby Vercruse | Rigging Gaffer |
| Art | Susan Bradley | Title Designer |
| Sound | Dan Gecenok | Sound Effects Editor |
| Sound | Lawrence L. Commans | Boom Operator |
| Production | Meryl O'Loughlin | Casting |
| Art | Peter M. Gurski | Leadman |
| Camera | Brad Draper | Dolly Grip |
| Art | Michele Poulik | Set Decoration |
| Art | Aaron Mays | Construction Foreman |
| Sound | Greg Back | Sound Effects Editor |
| Sound | Marian Wallace | Sound Re-Recording Mixer |
| Camera | Jeff Mart | Steadicam Operator |
| Art | Ken Larson | Art Direction |
| Camera | Gus Vasquez | Key Grip |
| Sound | Robert Garrett | Music Editor |
| Directing | Jeffrey Wetzel | First Assistant Director |
| Crew | Noon Orsatti | Stunt Coordinator |
| Production | Gregg Edler | Production Coordinator |
| Crew | Spiro Razatos | Stunts |
| Production | Cristen Carr Strubbe | Unit Production Manager |
| Directing | Peter Chesney | Second Unit Director |
| Directing | Hilbert Hakim | Second Assistant Director |
