Professione assassino (1972)
Arthur Bishop è un killer su commissione specializzato nel far apparire come incidenti quelli che in realtà sono omicidi. Riceve gli incarichi da Dean, capo di una misteriosa compagnia di cui fa parte l'anziano e paralizzato Harry McKenna che è colui che ha fatto da mentore ad Arthur. Nel momento in cui Dean gli chiede di assassinare Harry, sospettato di tradimento, Arthur ha poche esitazioni e porta a termine la missione. Si troverà di lì a poco al fianco proprio il figlio di Harry, Steve. Costui, assetato di vendetta, chiede ad Arthur di addestrarlo per essere in grado di uccidere chi ha eliminato suo padre. Il killer, che ha sempre agito da solo, accetta e lo inizia agli omicidi scientificamente organizzati.
Direttore:
Michael Winner
Scrittore:
Lewis John Carlino
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Charles Bronson as Arthur Bishop |
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Jan-Michael Vincent as Steve McKenna |
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Keenan Wynn as Harry McKenna |
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Jill Ireland as The Girl |
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Linda Ridgeway as Louise, Steve McKenna's Girlfriend |
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Frank De Kova as The Man |
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James Davidson as Intern |
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Lindsay Crosby as Policeman |
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Steve Cory as Messenger |
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Tak Kubota as Yamoto |
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Patrick O'Moore as Old Man |
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Martin Gordon as American Tourist |
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Celeste Yarnall as The Mark's Girl |
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Athena Lorde as Old Woman |
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Alison Rose as Young Girl |
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Howard Morton as Car Polish Man |
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Enzo Fiermonte as The Mark |
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Gerald Peters as Butler |
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Steve Vinovich as Party Guest |
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Robert Jaffe as Party Guest |
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Kevin O'Neal as Party Guest |
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Kenneth Wolger as 1st Hippie |
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Trina Mitchum as 3rd Hippie |
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Amando De Vincenzo as Priest |
| Production | Clifton Brandon | Production Manager |
| Production | Henry Gellis | Associate Producer |
| Costume & Make-Up | Phil Rhodes | Makeup Artist |
| Art | Robert De Vestel | Set Decoration |
| Production | Mario Mariani | Production Manager |
| Sound | Burdick S. Trask | Sound Mixer |
| Directing | Francesco Cinieri | Assistant Director |
| Art | Ray Traynor | Property Master |
| Art | Barry Wilkinson | Props |
| Sound | Russ Hill | Dialogue Editor |
| Sound | Terry Rawlings | Sound Editor |
| Art | Eugene Booth | Property Master |
| Crew | Richard Albain | Special Effects |
| Sound | Brian Paxton | Sound Recordist |
| Sound | Don MacDougall | Sound Re-Recording Mixer |
| Directing | Jerome M. Siegel | Assistant Director |
| Production | Vittorio Noia | Production Manager |
| Directing | Antonio Tarruella | Second Unit Director |
| Directing | Mel Efros | Second Assistant Director |
| Sound | Maurice Askew | Sound Re-Recording Mixer |
| Production | Hal W. Polaire | Production Supervisor |
| Directing | Peter Price | Assistant Director |
| Directing | Michael Winner | Director |
| Writing | Lewis John Carlino | Screenplay |
| Editing | Michael Winner | Editor |
| Art | Rodger Maus | Art Direction |
| Production | Lynn Stalmaster | Casting |
| Writing | Lewis John Carlino | Story |
| Camera | Richard H. Kline | Director of Photography |
| Editing | Frederick Wilson | Editor |
| Production | Irwin Winkler | Producer |
| Production | Robert Chartoff | Producer |
| Art | Herbert Westbrook | Art Direction |
| Sound | Jerry Fielding | Original Music Composer |
| Directing | Betty Crosby | Script Supervisor |
| Directing | Pamela Carlton | Continuity |
| Costume & Make-Up | Lambert Marks | Costumer |
| Editing | Frederick Wilson | Supervising Editor |
| Crew | J.N. Roberts | Stunts |
| Crew | Greg Anderson | Stunts |
| Camera | Robert Paynter | Additional Photography |
| Lighting | Colin J. Campbell | Gaffer |
| Crew | Frank Orsatti | Stunts |
| Crew | James M. Halty | Stunts |
| Crew | Alan Gibbs | Stunt Coordinator |
| Crew | David Watson | Stunt Driver |
