История Фанни Лай (2019)
Сюжет фильма рассказывает историю Фанни Лай, которая происходила в семнадцатом веке в Англии. Вместе с мужем Джоном и сыном Артуром они живут на отдаленной ферме недалеко от Шропшира, придерживаясь пуританских взглядов. Джон много лет назад получил ранение во время Гражданской войны, и поэтому практически вся физическая работа на ферме легла на плечи Фанни. Однако их привычный жизненный уклад меняется, когда они, возвращаясь из церкви, находят в одной из построек фермы двух незнакомцев совершенно без одежды. Они рассказывают хозяевам, что их одежду похитили разбойники и что им нужен ночлег. Немного подумав, хозяева разрешают им остаться до утра, но они даже не подозревают, что приютили преступников, за которыми охотится шериф, обвиняя их по делу об оргиях.
Директор: Thomas Clay
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Максин Пик as Fanny Lye |
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Чарльз Дэнс as John Lye |
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Фредерик Фокс as Thomas Ashbury |
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Таня Рейнольдс as Rebecca Henshaw |
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Zak Adams as Arthur Lye |
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Питер МакДональд as High Sheriff for the Council of State |
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Перри Фицпатрик as Sheriff's Deputy |
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Кеннет Коллар as Constable |
| Crew | Mark Johnston | Stunt Coordinator |
| Production | Nessa King | Production Accountant |
| Camera | Léonidas Arvanitis | Focus Puller |
| Camera | Matthieu Fabbri | Second Assistant Camera |
| Art | Charlie Whiteway | Standby Art Director |
| Production | Edward Rastelli-Lewis | Production Manager |
| Directing | Charles Oakden | Second Assistant Director |
| Production | Edward Rastelli-Lewis | Production Coordinator |
| Art | Nenad Pečur | Production Design |
| Camera | Dirk Eichler | Steadicam Operator |
| Camera | Alison Martin | Camera Trainee |
| Directing | Mark Goddard | First Assistant Director |
| Directing | Harry Guest | Third Assistant Director |
| Art | Dean Pearson | Property Master |
| Sound | Thomas Clay | Music |
| Production | Evan Richards | Associate Producer |
| Production | Anthony Muir | Co-Producer |
| Lighting | Kyriakos Toufexis | Best Boy Electric |
| Art | Rob Crewe | Art Direction |
| Art | Mary-Ann Foster | Set Decoration |
| Production | Jennine Baker | Production Accountant |
| Editing | Thomas Clay | Digital Colorist |
| Art | Silke Pufz | Painter |
| Costume & Make-Up | Jennifer Lenard | Makeup & Hair |
| Crew | James Ingrey | Stunts |
| Sound | Konrad Kassing | Sound Recordist |
| Visual Effects | Mark Meddings | Special Effects Supervisor |
| Production | Joseph Lang | Producer |
| Lighting | Ηρακλής Μητρόπουλος | Gaffer |
| Art | Rob Crewe | Construction Manager |
| Art | Samuel Horrocks | Art Department Assistant |
| Costume & Make-Up | Sandra O'Brien | Hair Designer |
| Production | Irene Ilias | Casting Associate |
| Sound | Thomas Clay | Orchestrator |
| Editing | Thomas Clay | Editor |
| Production | Джереми Циммерманн | Casting |
| Costume & Make-Up | Sandra O'Brien | Makeup Designer |
| Camera | Davey Logan | Grip |
| Sound | Dean Humphreys | Sound Re-Recording Mixer |
| Directing | Ina Lüders | First Assistant Director |
| Production | Gemma Sykes | Casting |
| Directing | Gesine Blanke | First Assistant Director (Prep) |
| Camera | Son Doan | Second Assistant Camera |
| Production | Jenna Mills | Line Producer |
| Directing | Michelle McDermott | Second Assistant Director |
| Directing | Heike Manzke | Script Supervisor |
| Sound | Thomas Clay | Sound Re-Recording Mixer |
| Editing | Matthew Troughton | Colorist |
| Directing | Mariana Vodenicharova | Second Assistant Director |
| Crew | Andrew Candish | Stunt Double |
| Camera | Alexandra Voikou | Second Assistant Camera |
| Camera | Dirk Eichler | Second Unit Director of Photography |
| Crew | Corin Mellinger | Dialect Coach |
| Production | Victoria Colwill | Production Runner |
| Costume & Make-Up | Joanne Mosley | Costume Supervisor |
| Sound | Steve Bond | Sound Designer |
| Sound | Thomas Clay | Supervising Sound Editor |
| Lighting | Oliver Taubrich | Best Boy Electric |
| Sound | Anthony Weeden | Orchestrator |
| Sound | Anthony Weeden | Conductor |
| Costume & Make-Up | Rúben Samos | Makeup & Hair |
| Crew | Samuel Horrocks | Stunt Double |
| Sound | Vincent Watts | Sound Designer |
| Editing | Noémie T.J. Phillipson | Assistant Editor |
| Camera | Vakis Grillis | Key Grip |
| Costume & Make-Up | Marina Altomare | Makeup & Hair Assistant |
| Visual Effects | Graham Povey | Special Effects Supervisor |
| Sound | Thomas Clay | Sound Designer |
| Production | Sean Wheelan | Co-Producer |
| Directing | Jen Rhodes | Third Assistant Director |
| Production | Natalie Clausen | Production Manager |
| Camera | Brett Lameron | Key Grip |
| Directing | Thomas Clay | Director |
| Writing | Thomas Clay | Writer |
| Sound | Thomas Clay | Original Music Composer |
| Costume & Make-Up | Michael O'Connor | Costume Design |
| Production | Celine Haddad | Executive Producer |
| Production | Philippe Bober | Producer |
| Production | Compton Ross | Executive Producer |
| Camera | Γιώργος Αρβανίτης | Director of Photography |
| Production | Rob Cannan | Producer |
| Production | Michel Merkt | Producer |
| Production | Phil Hunt | Executive Producer |
| Production | Thomas Clay | Executive Producer |
| Production | Lizzie Francke | Executive Producer |
| Production | Rick Holmes | Executive Producer |
| Production | Zorana Piggott | Producer |
