История Фанни Лай (2019)
Сюжет фильма рассказывает историю Фанни Лай, которая происходила в семнадцатом веке в Англии. Вместе с мужем Джоном и сыном Артуром они живут на отдаленной ферме недалеко от Шропшира, придерживаясь пуританских взглядов. Джон много лет назад получил ранение во время Гражданской войны, и поэтому практически вся физическая работа на ферме легла на плечи Фанни. Однако их привычный жизненный уклад меняется, когда они, возвращаясь из церкви, находят в одной из построек фермы двух незнакомцев совершенно без одежды. Они рассказывают хозяевам, что их одежду похитили разбойники и что им нужен ночлег. Немного подумав, хозяева разрешают им остаться до утра, но они даже не подозревают, что приютили преступников, за которыми охотится шериф, обвиняя их по делу об оргиях.
Директор: Thomas Clay
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Максин Пик as Fanny Lye |
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Чарльз Дэнс as John Lye |
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Фредерик Фокс as Thomas Ashbury |
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Таня Рейнольдс as Rebecca Henshaw |
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Zak Adams as Arthur Lye |
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Питер МакДональд as High Sheriff for the Council of State |
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Перри Фицпатрик as Sheriff's Deputy |
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Кеннет Коллар as Constable |
| Crew | Corin Mellinger | Dialect Coach |
| Directing | Heike Manzke | Script Supervisor |
| Production | Victoria Colwill | Production Runner |
| Art | Rob Crewe | Construction Manager |
| Directing | Mariana Vodenicharova | Second Assistant Director |
| Crew | Samuel Horrocks | Stunt Double |
| Sound | Vincent Watts | Sound Designer |
| Sound | Anthony Weeden | Orchestrator |
| Production | Edward Rastelli-Lewis | Production Coordinator |
| Lighting | Iraklis Mitropoulos | Gaffer |
| Crew | James Ingrey | Stunts |
| Visual Effects | Mark Meddings | Special Effects Supervisor |
| Production | Nessa King | Production Accountant |
| Art | Nenad Pečur | Production Design |
| Production | Jenna Mills | Line Producer |
| Sound | Thomas Clay | Sound Re-Recording Mixer |
| Production | Joseph Lang | Producer |
| Production | Sean Wheelan | Co-Producer |
| Production | Natalie Clausen | Production Manager |
| Costume & Make-Up | Jennifer Lenard | Makeup & Hair |
| Sound | Konrad Kassing | Sound Recordist |
| Editing | Thomas Clay | Digital Colorist |
| Crew | Mark Johnston | Stunt Coordinator |
| Camera | Léonidas Arvanitis | Focus Puller |
| Camera | Matthieu Fabbri | Second Assistant Camera |
| Camera | Dirk Eichler | Steadicam Operator |
| Visual Effects | Graham Povey | Special Effects Supervisor |
| Sound | Thomas Clay | Sound Designer |
| Directing | Ina Lüders | First Assistant Director |
| Directing | Michelle McDermott | Second Assistant Director |
| Directing | Jen Rhodes | Third Assistant Director |
| Art | Rob Crewe | Art Direction |
| Art | Samuel Horrocks | Art Department Assistant |
| Costume & Make-Up | Sandra O'Brien | Hair Designer |
| Art | Silke Pufz | Painter |
| Sound | Thomas Clay | Supervising Sound Editor |
| Sound | Thomas Clay | Orchestrator |
| Directing | Mark Goddard | First Assistant Director |
| Art | Dean Pearson | Property Master |
| Production | Anthony Muir | Co-Producer |
| Camera | Alison Martin | Camera Trainee |
| Editing | Matthew Troughton | Colorist |
| Camera | Alexandra Voikou | Second Assistant Camera |
| Camera | Davey Logan | Grip |
| Art | Charlie Whiteway | Standby Art Director |
| Sound | Dean Humphreys | Sound Re-Recording Mixer |
| Production | Irene Ilias | Casting Associate |
| Editing | Noémie T.J. Phillipson | Assistant Editor |
| Directing | Charles Oakden | Second Assistant Director |
| Directing | Harry Guest | Third Assistant Director |
| Production | Evan Richards | Associate Producer |
| Camera | Son Doan | Second Assistant Camera |
| Camera | Vakis Grillis | Key Grip |
| Lighting | Kyriakos Toufexis | Best Boy Electric |
| Costume & Make-Up | Rúben Samos | Makeup & Hair |
| Costume & Make-Up | Marina Altomare | Makeup & Hair Assistant |
| Crew | Andrew Candish | Stunt Double |
| Sound | Anthony Weeden | Conductor |
| Production | Edward Rastelli-Lewis | Production Manager |
| Production | Gemma Sykes | Casting |
| Art | Mary-Ann Foster | Set Decoration |
| Costume & Make-Up | Joanne Mosley | Costume Supervisor |
| Production | Jennine Baker | Production Accountant |
| Editing | Thomas Clay | Editor |
| Lighting | Oliver Taubrich | Best Boy Electric |
| Camera | Dirk Eichler | Second Unit Director of Photography |
| Sound | Steve Bond | Sound Designer |
| Production | Джереми Циммерманн | Casting |
| Costume & Make-Up | Sandra O'Brien | Makeup Designer |
| Camera | Brett Lameron | Key Grip |
| Sound | Thomas Clay | Music |
| Directing | Gesine Blanke | First Assistant Director (Prep) |
| Directing | Thomas Clay | Director |
| Writing | Thomas Clay | Writer |
| Sound | Thomas Clay | Original Music Composer |
| Costume & Make-Up | Michael O'Connor | Costume Design |
| Production | Michel Merkt | Producer |
| Production | Celine Haddad | Executive Producer |
| Production | Rob Cannan | Producer |
| Production | Thomas Clay | Executive Producer |
| Production | Lizzie Francke | Executive Producer |
| Production | Philippe Bober | Producer |
| Camera | Γιώργος Αρβανίτης | Director of Photography |
| Production | Compton Ross | Executive Producer |
| Production | Rick Holmes | Executive Producer |
| Production | Phil Hunt | Executive Producer |
| Production | Zorana Piggott | Producer |
