Das große Dings bei Brinks (1978)
Tony, ein Kleinkrimineller, ist lage Zeit vom Pech verfolgt, doch eines Tages landet er mit seiner Bande einen überraschenden ersten Erfolg: Sie erleichtern einen Geldtransport von Brinks um 30.000 Dollar. Da der Überfall keine Schlagzeilen macht, sieht sich Tony in der Zentrale von Brinks um und bemerkt, dass die Sicherheitsvorkehrungen extrem niedrig sind. Sofort tüftelt er einen Plan aus. Das einzige Problem: Er muss binnen einer Woche ausgeführt werden.
Der Regisseur: William Friedkin
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Peter Falk as Tony Pino |
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Peter Boyle as Joe McGinnis |
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Allen Garfield as Vinnie Costa |
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Warren Oates as Specs O'Keefe |
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Gena Rowlands as Mary Pino |
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Paul Sorvino as Jazz Maffie |
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Sheldon Leonard as J. Edgar Hoover |
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Kevin O'Connor as Stanley Gusciora |
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Gerard Murphy as Sandy Richardson |
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Patrick Hines as H. H. Rightmire |
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Malachy McCourt as Mutt Murphy |
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Randy Jurgensen as FBI Agent |
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John Brandon as FBI Agent |
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Robert Prosky as Lineup Gallery Cop |
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Earl Hindman as FBI Agent # 3 |
| Directing | William Friedkin | Director |
| Writing | Walon Green | Writer |
| Camera | Hank Muller | Assistant Camera |
| Writing | Noel Behn | Book |
| Camera | Norman Leigh | Director of Photography |
| Editing | Robert K. Lambert | Editor |
| Production | Louis DiGiaimo | Casting |
| Art | George R. Nelson | Set Decoration |
| Production | Dino De Laurentiis | Executive Producer |
| Costume & Make-Up | Robert Norin | Makeup Artist |
| Sound | Richard Rodney Bennett | Original Music Composer |
| Production | Ralph B. Serpe | Producer |
| Costume & Make-Up | Ruth Morley | Costume Design |
| Editing | Bud S. Smith | Editor |
| Art | Dean Tavoularis | Production Design |
| Art | Angelo P. Graham | Art Direction |
| Art | Bruce Kay | Set Decoration |
| Sound | Jeff Wexler | Sound Designer |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Sound | Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
| Sound | Angela Morley | Conductor |
| Sound | Robert 'Buzz' Knudson | Sound Recordist |
| Sound | Robert Glass | Sound Recordist |
| Sound | Don MacDougall | Sound Recordist |
| Sound | Charles L. Campbell | Sound Supervisor |
| Sound | Gordon Ecker | Supervising Sound Editor |
| Sound | Louis L. Edemann | Supervising Sound Editor |
| Production | Jonathan Sanger | Production Manager |
| Directing | Terence A. Donnelly | First Assistant Director |
| Directing | Mark Johnson | Second Assistant Director |
| Camera | Enrique Bravo | Camera Operator |
| Camera | Gary Muller | Assistant Camera |
| Camera | James A. Contner | Additional Photography |
| Sound | Jeff Wexler | Sound |
| Sound | Richard Luckey | Music Editor |
| Editing | Ned Humphreys | Assistant Editor |
| Editing | Jere Huggins | Assistant Editor |
| Editing | M. Scott Smith | Assistant Editor |
| Costume & Make-Up | Gloria Gresham | Assistant Costume Designer |
| Costume & Make-Up | Verne Caruso | Hairstylist |
| Art | Barry Bedig | Property Master |
| Lighting | Lou Tobin | Rigging Gaffer |
| Camera | Gaylin P. Schultz | Key Grip |
| Crew | Lawrence J. Cavanaugh | Special Effects |
| Art | John LaSalandra | Construction Coordinator |
| Art | Robert Scaife | Construction Foreman |
| Costume & Make-Up | G. Tony Scarano | Costumer |
| Crew | William C. Bratton | Transportation Coordinator |
| Production | Carmine Foresta | Location Manager |
| Lighting | John W. DeBlau | Gaffer |
| Directing | Catalina Lawrence | Script Supervisor |
| Production | Nanette Siegert | Production Office Coordinator |
| Editing | Donah Bassett | Negative Cutter |
| Camera | Josh Weiner | Still Photographer |
| Editing | Larry Rovetti | Color Timer |
