American Perfect (1997)
Sandra (Amanda Plummer) ist mit ihrer jüngeren Schwester Alice (Fairuza Balk) verabredet, gerät aber unterwegs auf dem Highway in einen schweren Autounfall, bei dem ihr unvermittelt ein Kriminalpsychologe (Robert Forster) zu Hilfe eilt, der trotz seiner äußerlich ruhigen und besonnenen Art an einer für den Verlauf der Handlung wesentlichen Marotte hängt - alle Situationen seines Lebens durch den Wurf einer Münze, "Kopf oder Zahl" eben, entscheiden zu lassen. Nur ein harmloser Tick oder Anzeichen psychopathischen Wahns?
Der Regisseur: Paul Chart
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Amanda Plummer as Sandra |
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Robert Forster as Jake |
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David Thewlis as Santini |
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Fairuza Balk as Alice |
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Paul Sorvino as Frank |
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Joanna Gleason as Shirley |
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Geoffrey Lewis as Willy |
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Chris Sarandon as Sammy |
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Jay Patterson as Bernie |
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Judson Mills as Junior |
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Rutanya Alda as Gloria |
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Paul Henry as Pete / Trucker #1 |
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Belinda Balaski as Rita |
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Jack Breschard as Trucker #2 |
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Nathan Le Grand as Freddie |
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Sarah Bibb as Cashier |
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Lisa Long as Maid |
| Directing | Paul Chart | Director |
| Writing | Paul Chart | Writer |
| Production | Irvin Kershner | Producer |
| Production | Dawn Handler | Co-Producer |
| Production | John Conway | Associate Producer |
| Production | Boaz Davidson | Executive Producer |
| Production | Danny Dimbort | Executive Producer |
| Production | Avi Lerner | Executive Producer |
| Production | Elie Samaha | Executive Producer |
| Production | Andrew Schuth | Co-Producer |
| Production | Trevor Short | Executive Producer |
| Sound | Simon Boswell | Music |
| Camera | William Wages | Director of Photography |
| Editing | Michael Ruscio | Editor |
| Production | Karen Rae | Casting |
| Art | Katherine G. Vallin | Production Design |
| Art | Jonathan Weston | Set Decoration |
| Costume & Make-Up | Florence-Isabelle Megginson | Costume Design |
| Costume & Make-Up | Charlene Burris | Hairstylist |
| Costume & Make-Up | Charlene Burris | Key Makeup Artist |
| Costume & Make-Up | Dalia Dokter | Key Makeup Artist |
| Costume & Make-Up | Randy Westgate | Hairstylist |
| Production | Jack Breschard | Production Supervisor |
| Crew | George Gale | Post Production Supervisor |
| Production | Eric B. Sindon | Unit Production Manager |
| Production | John Thompson | Executive In Charge Of Production |
| Directing | Matthew R. Eyraud | Second Assistant Director |
| Art | Monte French | Property Master |
| Crew | Werner Hoetzinger | Scenic Artist |
| Crew | Shiuvaun Egan | Scenic Artist |
| Art | Justin Memahan | Set Dresser |
| Art | Jeff Seale | Property Master |
| Sound | Ron Bedrosian | ADR Mixer |
| Sound | Ron Bedrosian | Foley Mixer |
| Sound | Steven Brimmer | Recording Supervision |
| Sound | Dane A. Davis | Sound Designer |
| Sound | Michael Emery | Sound Mixer |
| Sound | Mark Fay | Boom Operator |
| Sound | Dana Johnson | ADR Recordist |
| Sound | Dana Johnson | Foley Recordist |
| Sound | Kini Kay | Sound Editor |
| Sound | Christopher Sheldon | Supervising Sound Editor |
| Sound | Edward Steidele | Foley Artist |
| Crew | Ron Trost | Special Effects Coordinator |
| Crew | Joni Avery | Stunt Double |
| Crew | Jennifer Badger | Stunt Double |
| Crew | John Cade | Stunt Double |
| Crew | Al Goto | Stunt Coordinator |
| Crew | Eddie Perez | Stunt Coordinator |
| Crew | Patricia Rodal | Stunt Double |
| Crew | Johnathan Brownlee | Stunt Driver |
| Camera | Tyger Belton | Second Assistant Camera |
| Camera | Vicki Brinkman | Second Assistant "B" Camera |
| Camera | Marcelo Colacilli | Dolly Grip |
| Lighting | Dan Cornwall | Gaffer |
| Camera | David DeForest Keys | First Assistant "B" Camera |
| Camera | Jason Gettings | Grip |
| Camera | Prashant Gupta | Still Photographer |
| Camera | George T. Kalinski | Key Grip |
| Camera | John D. Miller | Grip |
| Camera | John Palato | Grip |
| Camera | Joe Schiavello | Grip |
| Camera | Michael C. Stailey | First Assistant Camera |
| Camera | William Wages | Second Unit Director of Photography |
| Costume & Make-Up | Maggie Bailey | Set Costumer |
| Editing | Arlene Beaty | Assistant Editor |
| Editing | Saul Escobedo | Color Timer |
| Editing | Martin Allan Kloner | Assistant Editor |
| Production | Max Sokolov | Location Manager |
| Sound | Douglas Brodoff | Music Supervisor |
| Sound | Christopher Sheldon | Music Editor |
| Directing | Genie Babcock | Script Supervisor |
| Directing | Arlene Beaty | Continuity |
| Directing | Donna Parish | Script Supervisor |
| Crew | Guy J. Graves | Transportation Coordinator |
| Crew | Donald Hurd | Driver |
| Crew | James Wade | Driver |
| Production | Kelly Cummins | Production Assistant |
| Crew | David Hillberg | Stand In |
| Production | Brad Keene | Production Assistant |
| Production | Janet Pett Davies | Production Coordinator |
| Crew | Stephanie Abrahamson | Thanks |
| Crew | Abe Altman | Thanks |
| Crew | Karl R. Austen | Thanks |
| Crew | Greg Baker | Thanks |
| Crew | Steve Brooks | Thanks |
| Crew | Adrian Clark | Thanks |
| Crew | Jim Cole | Thanks |
| Crew | David Earle | Thanks |
| Crew | Steve Floersheim | Thanks |
| Crew | Graham Henderson | Thanks |
| Crew | Steven R. Kutcher | Thanks |
| Crew | Peter Leak | Thanks |
| Crew | Michael Marich | Thanks |
| Crew | Linda Matz | Thanks |
| Crew | Bob Meadows | Thanks |
| Crew | Raoul Rosenberg | Thanks |
| Crew | Jim Slayton | Thanks |
| Crew | Alan Somers | Thanks |
| Crew | Lucy Stille | Thanks |
