American Perfect (1997)
Sandra (Amanda Plummer) ist mit ihrer jüngeren Schwester Alice (Fairuza Balk) verabredet, gerät aber unterwegs auf dem Highway in einen schweren Autounfall, bei dem ihr unvermittelt ein Kriminalpsychologe (Robert Forster) zu Hilfe eilt, der trotz seiner äußerlich ruhigen und besonnenen Art an einer für den Verlauf der Handlung wesentlichen Marotte hängt - alle Situationen seines Lebens durch den Wurf einer Münze, "Kopf oder Zahl" eben, entscheiden zu lassen. Nur ein harmloser Tick oder Anzeichen psychopathischen Wahns?
Der Regisseur: Paul Chart
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Amanda Plummer as Sandra |
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Robert Forster as Jake |
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David Thewlis as Santini |
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Fairuza Balk as Alice |
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Paul Sorvino as Frank |
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Joanna Gleason as Shirley |
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Geoffrey Lewis as Willy |
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Chris Sarandon as Sammy |
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Jay Patterson as Bernie |
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Judson Mills as Junior |
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Rutanya Alda as Gloria |
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Paul Henry as Pete / Trucker #1 |
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Belinda Balaski as Rita |
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Jack Breschard as Trucker #2 |
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Nathan Le Grand as Freddie |
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Sarah Bibb as Cashier |
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Lisa Long as Maid |
| Directing | Paul Chart | Director |
| Sound | Simon Boswell | Music |
| Costume & Make-Up | Dalia Dokter | Key Makeup Artist |
| Production | Karen Rae | Casting |
| Sound | Christopher Sheldon | Supervising Sound Editor |
| Camera | William Wages | Director of Photography |
| Production | Irvin Kershner | Producer |
| Crew | George Gale | Post Production Supervisor |
| Production | Danny Dimbort | Executive Producer |
| Crew | Shiuvaun Egan | Scenic Artist |
| Production | Elie Samaha | Executive Producer |
| Costume & Make-Up | Randy Westgate | Hairstylist |
| Writing | Paul Chart | Writer |
| Art | Katherine G. Vallin | Production Design |
| Costume & Make-Up | Charlene Burris | Hairstylist |
| Sound | Dane A. Davis | Sound Designer |
| Production | Trevor Short | Executive Producer |
| Production | Jack Breschard | Production Supervisor |
| Art | Monte French | Property Master |
| Crew | Werner Hoetzinger | Scenic Artist |
| Production | Eric B. Sindon | Unit Production Manager |
| Sound | Steven Brimmer | Recording Supervision |
| Production | Dawn Handler | Co-Producer |
| Production | John Conway | Associate Producer |
| Art | Justin Memahan | Set Dresser |
| Sound | Ron Bedrosian | Foley Mixer |
| Crew | Jennifer Badger | Stunt Double |
| Editing | Michael Ruscio | Editor |
| Production | Avi Lerner | Executive Producer |
| Crew | Joni Avery | Stunt Double |
| Production | Andrew Schuth | Co-Producer |
| Sound | Ron Bedrosian | ADR Mixer |
| Sound | Mark Fay | Boom Operator |
| Sound | Kini Kay | Sound Editor |
| Sound | Edward Steidele | Foley Artist |
| Production | John Thompson | Executive In Charge Of Production |
| Directing | Matthew R. Eyraud | Second Assistant Director |
| Crew | Al Goto | Stunt Coordinator |
| Sound | Dana Johnson | ADR Recordist |
| Crew | Ron Trost | Special Effects Coordinator |
| Crew | John Cade | Stunt Double |
| Costume & Make-Up | Florence-Isabelle Megginson | Costume Design |
| Costume & Make-Up | Charlene Burris | Key Makeup Artist |
| Production | Boaz Davidson | Executive Producer |
| Sound | Dana Johnson | Foley Recordist |
| Art | Jonathan Weston | Set Decoration |
| Art | Jeff Seale | Property Master |
| Sound | Michael Emery | Sound Mixer |
| Camera | Michael C. Stailey | First Assistant Camera |
| Crew | Eddie Perez | Stunt Coordinator |
| Camera | Tyger Belton | Second Assistant Camera |
| Camera | Marcelo Colacilli | Dolly Grip |
| Camera | David DeForest Keys | First Assistant "B" Camera |
| Camera | John Palato | Grip |
| Lighting | Dan Cornwall | Gaffer |
| Directing | Genie Babcock | Script Supervisor |
| Camera | Jason Gettings | Grip |
| Camera | William Wages | Second Unit Director of Photography |
| Costume & Make-Up | Maggie Bailey | Set Costumer |
| Production | Max Sokolov | Location Manager |
| Crew | Patricia Rodal | Stunt Double |
| Crew | Johnathan Brownlee | Stunt Driver |
| Editing | Martin Allan Kloner | Assistant Editor |
| Crew | Donald Hurd | Driver |
| Camera | John D. Miller | Grip |
| Camera | Joe Schiavello | Grip |
| Directing | Arlene Beaty | Continuity |
| Camera | Vicki Brinkman | Second Assistant "B" Camera |
| Editing | Saul Escobedo | Color Timer |
| Sound | Douglas Brodoff | Music Supervisor |
| Crew | Guy J. Graves | Transportation Coordinator |
| Camera | Prashant Gupta | Still Photographer |
| Editing | Arlene Beaty | Assistant Editor |
| Camera | George T. Kalinski | Key Grip |
| Directing | Donna Parish | Script Supervisor |
| Sound | Christopher Sheldon | Music Editor |
| Production | Kelly Cummins | Production Assistant |
| Crew | David Hillberg | Stand In |
| Production | Brad Keene | Production Assistant |
| Crew | Greg Baker | Thanks |
| Crew | David Earle | Thanks |
| Crew | Karl R. Austen | Thanks |
| Crew | Steve Brooks | Thanks |
| Crew | Jim Cole | Thanks |
| Crew | Jim Slayton | Thanks |
| Crew | Stephanie Abrahamson | Thanks |
| Crew | Abe Altman | Thanks |
| Crew | Raoul Rosenberg | Thanks |
| Crew | James Wade | Driver |
| Crew | Steve Floersheim | Thanks |
| Crew | Steven R. Kutcher | Thanks |
| Crew | Michael Marich | Thanks |
| Crew | Bob Meadows | Thanks |
| Crew | Lucy Stille | Thanks |
| Crew | Graham Henderson | Thanks |
| Crew | Alan Somers | Thanks |
| Crew | Peter Leak | Thanks |
| Production | Janet Pett Davies | Production Coordinator |
| Crew | Adrian Clark | Thanks |
| Crew | Linda Matz | Thanks |
