Trubel in Panama (1942)
Eine von Matrosen umschwärmte Nachtclubsängerin in Panama verliebt sich in einen Sergeanten der US-Armee, der im Gegensatz zu ihr aus hochfeinen Kreisen stammt. Langweilige Verfilmung eines Broadway-Stücks
Der Regisseur:
Norman Z. McLeod
Die Autor:
Wilkie C. Mahoney, Jack McGowan.
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Red Skelton as Red |
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Ann Sothern as Hattie Maloney |
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Rags Ragland as Rags (as 'Rags' Ragland) |
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Ben Blue as Rowdy |
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Marsha Hunt as Leila Tree |
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Virginia O'Brien as Flo Foster |
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Alan Mowbray as Jay Jerkins, Dick's Butler |
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Dan Dailey as Dick Bulliard (as Dan Dailey Jr.) |
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Jackie Horner as Geraldine 'Gerry' Bulliet |
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Carmen Amaya as Dancer in "Good Neighors" (uncredited) |
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Jackie Bardell as Gimmie Girl (uncredited) |
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Ananias Berry as Ananias Berry (uncredited) |
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James Berry as James Berry (uncredited) |
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Warren Berry as Warren Berry |
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Pauline Byrne as Member, Six Hits and a Miss (uncredited) |
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Zedra Conde as Performer in "Good Neighbors" and "The Spring" (uncredited) |
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Carl Esmond as Lucas Kefler (uncredited) |
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Fred Graham as Shore Patrolman (uncredited) |
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Stuart Hall as Cafe Patron (uncredited) |
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Lena Horne as As self, Singer in Phil's Place (uncredited) |
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Denise Lemley as Gimme Girl (uncredited) |
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Six Hits and a Miss as Performers in "Hattie in Panama" (uncredited) |
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Roger Moore as Spy (uncredited) |
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Carmen Morales as Performer in "Good Neighbors" and "The Spring" (uncredited) |
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Sol Murgi as Party Guest (uncredited) |
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George Nardelli as Spectator at arrival (uncredited) |
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Wanda Perry as Woman at Club (uncredited) |
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Suzanne Ridgway as Performer in "Good Neighbors" and "The Spring" (uncredited) |
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Christine Stafford as Singer in "Good Numbers" (uncredited) |
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Max Wagner as Jailer (uncredited) |
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Zoot Watson as Drummer (uncredited) |
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George Watts as Mac (uncredited) |
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Grant Withers as Shore Patrolman (uncredited) |
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Duke York as Bruno (uncredited) |
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Joe Yule as Waiter (uncredited) |
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Lucien Prival as Hans (uncredited) |
| Writing | Wilkie C. Mahoney | Screenplay |
| Writing | Jack McGowan | Screenplay |
| Directing | Norman Z. McLeod | Director |
| Production | Arthur Freed | Producer |
| Writing | Cole Porter | Lyricist |
| Sound | Cole Porter | Songs |
| Sound | Burton Lane | Songs |
| Writing | E.Y. Harburg | Lyricist |
| Costume & Make-Up | Robert Kalloch | Costume Design |
| Art | Cedric Gibbons | Art Direction |
| Writing | Vincente Minnelli | Story |
| Writing | Mary C. McCall, Jr. | Story |
| Costume & Make-Up | Sydney Guilaroff | Hairstylist |
| Writing | Joseph Schrank | Story |
| Editing | Frank E. Hull | Editor |
| Art | Edwin B. Willis | Set Decoration |
| Editing | Blanche Sewell | Editor |
| Camera | George J. Folsey | Director of Photography |
| Writing | Lillie Messinger | Story |
| Sound | George Stoll | Music Director |
| Crew | Daniel Dare | Choreographer |
| Sound | Conrad Salinger | Orchestrator |
| Directing | Bert Spurlin | Assistant Director |
| Camera | Douglas Shearer | Camera Operator |
| Sound | George Bassman | Vocals |
| Art | John S. Detlie | Assistant Art Director |
| Sound | Leo Arnaud | Vocals |
| Crew | Vincente Minnelli | Choreographer |
| Sound | George Bassman | Orchestrator |
| Sound | Robert Van Eps | Orchestrator |
| Sound | Basil Adlam | Orchestrator |
| Sound | Leo Arnaud | Orchestrator |
| Sound | Herbert Taylor | Orchestrator |
| Art | Hugh Hunt | Assistant Decorator |
| Sound | Conrad Salinger | Vocals |
